{"schema":"portable-museum-artworks.v1","generatedAt":"2026-06-19T15:25:10.258Z","fieldNames":{"title":"title","creator":"artist","date":"date","physicalSize":"dimensions","highestResolutionImage":"image","sourceReference":"source","rights":"rights","printQuality":"print"},"notes":["Field names intentionally use museum/API vocabulary common across the checked sources: title, artist, date, medium, dimensions, image, source, rights.","Use date.display for the source-provided value; yearStart/yearEnd are best-effort parsed values.","Use dimensions.display for the original source text and dimensions.widthCm/heightCm/depthCm when parseable.","Use image.url as the highest-resolution known image URL from the source probe. When image.infoUrl exists, use it to verify exact IIIF dimensions.","Use print.sourcePhysicalPpi to estimate fidelity at the artwork's real-world size and print.maxSizeAt300PpiCm for a conservative high-quality print size."],"sourceRuns":[{"source":"aic","ok":true,"count":10,"errors":[]},{"source":"cma","ok":true,"count":10,"errors":[]},{"source":"met","ok":true,"count":10,"errors":[]},{"source":"smk","ok":true,"count":10,"errors":[]},{"source":"rijksmuseum","ok":true,"count":10,"errors":[]},{"source":"getty","ok":true,"count":10,"errors":[]},{"source":"nga","ok":true,"count":10,"errors":[]}],"artworks":[{"id":"aic:28560","title":"The Bedroom","artist":"Vincent van Gogh (Dutch, 1853–1890)","date":{"display":"1889","yearStart":1889,"yearEnd":1889},"medium":"Oil on canvas","classification":"oil on canvas","department":"Painting and Sculpture of Europe","dimensions":{"display":"73.6 × 92.3 cm (29 × 36 5/8 in.); Framed: 88.9 × 108 × 8.9 cm (35 × 42 1/2 × 3 1/2 in.)","widthCm":92.3,"heightCm":73.6,"depthCm":null},"image":{"url":"https://www.artic.edu/iiif/2/6644829f-f292-c5c4-a73c-0356a6fdbf0d/full/full/0/default.jpg","width":null,"height":null,"infoUrl":"https://www.artic.edu/iiif/2/6644829f-f292-c5c4-a73c-0356a6fdbf0d/info.json","iiifUrl":"https://www.artic.edu/iiif/2/6644829f-f292-c5c4-a73c-0356a6fdbf0d"},"source":{"name":"aic","id":"28560","museumUrl":"https://www.artic.edu/artworks/28560","metadataUrl":"https://api.artic.edu/api/v1/artworks/28560"},"rights":{"label":"CC0 Public Domain Designation","url":"https://www.artic.edu/open-access/open-access-images","license":"CC0","licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":false,"hasPhysicalSize":true,"hasPixelSize":false},"print":{"sourcePhysicalPpi":null,"maxSizeAt300PpiCm":null},"notes":["AIC exposes high-resolution IIIF URLs, but IIIF info.json currently returns a server-side challenge to this probe. Do not treat API thumbnail dimensions as full-resolution pixels."]},{"id":"aic:20684","title":"Paris Street; Rainy Day","artist":"Gustave Caillebotte (French, 1848–1894)","date":{"display":"1877","yearStart":1877,"yearEnd":1877},"medium":"Oil on canvas","classification":"oil on canvas","department":"Painting and Sculpture of Europe","dimensions":{"display":"212.2 × 276.2 cm (83 1/2 × 108 3/4 in.); Framed: 241.3 × 306.1 × 10.2 cm (95 × 120 1/2 × 4 in.)","widthCm":276.2,"heightCm":212.2,"depthCm":null},"image":{"url":"https://www.artic.edu/iiif/2/f8fd76e9-c396-5678-36ed-6a348c904d27/full/full/0/default.jpg","width":null,"height":null,"infoUrl":"https://www.artic.edu/iiif/2/f8fd76e9-c396-5678-36ed-6a348c904d27/info.json","iiifUrl":"https://www.artic.edu/iiif/2/f8fd76e9-c396-5678-36ed-6a348c904d27"},"source":{"name":"aic","id":"20684","museumUrl":"https://www.artic.edu/artworks/20684","metadataUrl":"https://api.artic.edu/api/v1/artworks/20684"},"rights":{"label":"CC0 Public Domain Designation","url":"https://www.artic.edu/open-access/open-access-images","license":"CC0","licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":false,"hasPhysicalSize":true,"hasPixelSize":false},"print":{"sourcePhysicalPpi":null,"maxSizeAt300PpiCm":null},"notes":["AIC exposes high-resolution IIIF URLs, but IIIF info.json currently returns a server-side challenge to this probe. Do not treat API thumbnail dimensions as full-resolution pixels."]},{"id":"aic:27992","title":"A Sunday on La Grande Jatte — 1884","artist":"Georges Seurat (French, 1859–1891)","date":{"display":"1884–86, border added 1888–89","yearStart":1884,"yearEnd":1888},"medium":"Oil on canvas","classification":"oil on canvas","department":"Painting and Sculpture of Europe","dimensions":{"display":"207.5 × 308.1 cm (81 3/4 × 121 1/4 in.)","widthCm":308.1,"heightCm":207.5,"depthCm":null},"image":{"url":"https://www.artic.edu/iiif/2/2d484387-2509-5e8e-2c43-22f9981972eb/full/full/0/default.jpg","width":null,"height":null,"infoUrl":"https://www.artic.edu/iiif/2/2d484387-2509-5e8e-2c43-22f9981972eb/info.json","iiifUrl":"https://www.artic.edu/iiif/2/2d484387-2509-5e8e-2c43-22f9981972eb"},"source":{"name":"aic","id":"27992","museumUrl":"https://www.artic.edu/artworks/27992","metadataUrl":"https://api.artic.edu/api/v1/artworks/27992"},"rights":{"label":"CC0 Public Domain Designation","url":"https://www.artic.edu/open-access/open-access-images","license":"CC0","licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":false,"hasPhysicalSize":true,"hasPixelSize":false},"print":{"sourcePhysicalPpi":null,"maxSizeAt300PpiCm":null},"notes":["AIC exposes high-resolution IIIF URLs, but IIIF info.json currently returns a server-side challenge to this probe. Do not treat API thumbnail dimensions as full-resolution pixels."]},{"id":"aic:87479","title":"The Assumption of the Virgin","artist":"El Greco (Doménikos Theotokópoulos; Greek, active in Spain, 1541–1614)","date":{"display":"1577–79","yearStart":1577,"yearEnd":1577},"medium":"Oil on canvas","classification":"oil on canvas","department":"Painting and Sculpture of Europe","dimensions":{"display":"403.2 × 211.8 cm (158 3/4 × 83 7/16 in.); Framed: 461.6 × 256.5 × 14 cm (181 3/4 × 101 × 5 9/16 in.)","widthCm":211.8,"heightCm":403.2,"depthCm":null},"image":{"url":"https://www.artic.edu/iiif/2/47fd1564-93f5-f30b-7786-013421133b4a/full/full/0/default.jpg","width":null,"height":null,"infoUrl":"https://www.artic.edu/iiif/2/47fd1564-93f5-f30b-7786-013421133b4a/info.json","iiifUrl":"https://www.artic.edu/iiif/2/47fd1564-93f5-f30b-7786-013421133b4a"},"source":{"name":"aic","id":"87479","museumUrl":"https://www.artic.edu/artworks/87479","metadataUrl":"https://api.artic.edu/api/v1/artworks/87479"},"rights":{"label":"CC0 Public Domain Designation","url":"https://www.artic.edu/open-access/open-access-images","license":"CC0","licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":false,"hasPhysicalSize":true,"hasPixelSize":false},"print":{"sourcePhysicalPpi":null,"maxSizeAt300PpiCm":null},"notes":["AIC exposes high-resolution IIIF URLs, but IIIF info.json currently returns a server-side challenge to this probe. Do not treat API thumbnail dimensions as full-resolution pixels."]},{"id":"aic:64818","title":"Stacks of Wheat (End of Summer)","artist":"Claude Monet (French, 1840–1926)","date":{"display":"1890–91","yearStart":1890,"yearEnd":1890},"medium":"Oil on canvas","classification":"oil on canvas","department":"Painting and Sculpture of Europe","dimensions":{"display":"60 × 100.5 cm (23 5/8 × 39 9/16 in.); Framed: 75.6 × 116.6 × 7.4 cm (29 3/4 × 45 7/8 × 2 7/8 in.)","widthCm":100.5,"heightCm":60,"depthCm":null},"image":{"url":"https://www.artic.edu/iiif/2/a38e2828-ec6f-ece1-a30f-70243449197b/full/full/0/default.jpg","width":null,"height":null,"infoUrl":"https://www.artic.edu/iiif/2/a38e2828-ec6f-ece1-a30f-70243449197b/info.json","iiifUrl":"https://www.artic.edu/iiif/2/a38e2828-ec6f-ece1-a30f-70243449197b"},"source":{"name":"aic","id":"64818","museumUrl":"https://www.artic.edu/artworks/64818","metadataUrl":"https://api.artic.edu/api/v1/artworks/64818"},"rights":{"label":"CC0 Public Domain Designation","url":"https://www.artic.edu/open-access/open-access-images","license":"CC0","licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":false,"hasPhysicalSize":true,"hasPixelSize":false},"print":{"sourcePhysicalPpi":null,"maxSizeAt300PpiCm":null},"notes":["AIC exposes high-resolution IIIF URLs, but IIIF info.json currently returns a server-side challenge to this probe. Do not treat API thumbnail dimensions as full-resolution pixels."]},{"id":"aic:16568","title":"Water Lilies","artist":"Claude Monet (French, 1840–1926)","date":{"display":"1906","yearStart":1906,"yearEnd":1906},"medium":"Oil on canvas","classification":"oil on canvas","department":"Painting and Sculpture of Europe","dimensions":{"display":"89.9 × 94.1 cm (35 3/8 × 37 1/16 in.); Framed: 103.2 × 107 × 5.8 cm (40 5/8 × 42 1/8 × 2 1/4 in.)","widthCm":94.1,"heightCm":89.9,"depthCm":null},"image":{"url":"https://www.artic.edu/iiif/2/3c27b499-af56-f0d5-93b5-a7f2f1ad5813/full/full/0/default.jpg","width":null,"height":null,"infoUrl":"https://www.artic.edu/iiif/2/3c27b499-af56-f0d5-93b5-a7f2f1ad5813/info.json","iiifUrl":"https://www.artic.edu/iiif/2/3c27b499-af56-f0d5-93b5-a7f2f1ad5813"},"source":{"name":"aic","id":"16568","museumUrl":"https://www.artic.edu/artworks/16568","metadataUrl":"https://api.artic.edu/api/v1/artworks/16568"},"rights":{"label":"CC0 Public Domain Designation","url":"https://www.artic.edu/open-access/open-access-images","license":"CC0","licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":false,"hasPhysicalSize":true,"hasPixelSize":false},"print":{"sourcePhysicalPpi":null,"maxSizeAt300PpiCm":null},"notes":["AIC exposes high-resolution IIIF URLs, but IIIF info.json currently returns a server-side challenge to this probe. Do not treat API thumbnail dimensions as full-resolution pixels."]},{"id":"aic:14655","title":"Two Sisters (On the Terrace)","artist":"Pierre-Auguste Renoir (French, 1841–1919)","date":{"display":"1881","yearStart":1881,"yearEnd":1881},"medium":"Oil on canvas","classification":"painting","department":"Painting and Sculpture of Europe","dimensions":{"display":"100.4 × 80.9 cm (39 1/2 × 31 7/8 in.); Framed: 119.1 × 100.1 × 7.7 cm (46 7/8 × 39 3/8 × 3 in.)","widthCm":80.9,"heightCm":100.4,"depthCm":null},"image":{"url":"https://www.artic.edu/iiif/2/3a608f55-d76e-fa96-d0b1-0789fbc48f1e/full/full/0/default.jpg","width":null,"height":null,"infoUrl":"https://www.artic.edu/iiif/2/3a608f55-d76e-fa96-d0b1-0789fbc48f1e/info.json","iiifUrl":"https://www.artic.edu/iiif/2/3a608f55-d76e-fa96-d0b1-0789fbc48f1e"},"source":{"name":"aic","id":"14655","museumUrl":"https://www.artic.edu/artworks/14655","metadataUrl":"https://api.artic.edu/api/v1/artworks/14655"},"rights":{"label":"CC0 Public Domain Designation","url":"https://www.artic.edu/open-access/open-access-images","license":"CC0","licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":false,"hasPhysicalSize":true,"hasPixelSize":false},"print":{"sourcePhysicalPpi":null,"maxSizeAt300PpiCm":null},"notes":["AIC exposes high-resolution IIIF URLs, but IIIF info.json currently returns a server-side challenge to this probe. Do not treat API thumbnail dimensions as full-resolution pixels."]},{"id":"aic:80607","title":"Self-Portrait","artist":"Vincent van Gogh (Dutch, 1853–1890)","date":{"display":"1887","yearStart":1887,"yearEnd":1887},"medium":"Oil on artist's board, mounted on cradled panel","classification":"oil on board","department":"Painting and Sculpture of Europe","dimensions":{"display":"41 × 32.5 cm (16 1/8 × 12 13/16 in.); Framed: 61.6 × 53.4 × 8.9 cm (24 1/4 × 21 × 3 1/2 in.)","widthCm":32.5,"heightCm":41,"depthCm":null},"image":{"url":"https://www.artic.edu/iiif/2/47c5bcb8-62ef-e5d7-55e7-f5121f409a30/full/full/0/default.jpg","width":null,"height":null,"infoUrl":"https://www.artic.edu/iiif/2/47c5bcb8-62ef-e5d7-55e7-f5121f409a30/info.json","iiifUrl":"https://www.artic.edu/iiif/2/47c5bcb8-62ef-e5d7-55e7-f5121f409a30"},"source":{"name":"aic","id":"80607","museumUrl":"https://www.artic.edu/artworks/80607","metadataUrl":"https://api.artic.edu/api/v1/artworks/80607"},"rights":{"label":"CC0 Public Domain Designation","url":"https://www.artic.edu/open-access/open-access-images","license":"CC0","licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":false,"hasPhysicalSize":true,"hasPixelSize":false},"print":{"sourcePhysicalPpi":null,"maxSizeAt300PpiCm":null},"notes":["AIC exposes high-resolution IIIF URLs, but IIIF info.json currently returns a server-side challenge to this probe. Do not treat API thumbnail dimensions as full-resolution pixels."]},{"id":"aic:111442","title":"The Child's Bath","artist":"Mary Cassatt (American, 1844–1926)","date":{"display":"1893","yearStart":1893,"yearEnd":1893},"medium":"Oil on canvas","classification":"painting","department":"Arts of the Americas","dimensions":{"display":"101.3 × 67.3 cm (39 15/16 × 26 1/2 in.)","widthCm":67.3,"heightCm":101.3,"depthCm":null},"image":{"url":"https://www.artic.edu/iiif/2/3b885ae0-4d46-5fe4-d70a-00474827f02c/full/full/0/default.jpg","width":null,"height":null,"infoUrl":"https://www.artic.edu/iiif/2/3b885ae0-4d46-5fe4-d70a-00474827f02c/info.json","iiifUrl":"https://www.artic.edu/iiif/2/3b885ae0-4d46-5fe4-d70a-00474827f02c"},"source":{"name":"aic","id":"111442","museumUrl":"https://www.artic.edu/artworks/111442","metadataUrl":"https://api.artic.edu/api/v1/artworks/111442"},"rights":{"label":"CC0 Public Domain Designation","url":"https://www.artic.edu/open-access/open-access-images","license":"CC0","licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":false,"hasPhysicalSize":true,"hasPixelSize":false},"print":{"sourcePhysicalPpi":null,"maxSizeAt300PpiCm":null},"notes":["AIC exposes high-resolution IIIF URLs, but IIIF info.json currently returns a server-side challenge to this probe. Do not treat API thumbnail dimensions as full-resolution pixels."]},{"id":"aic:61128","title":"At the Moulin Rouge","artist":"Henri de Toulouse-Lautrec (French, 1864–1901)","date":{"display":"1892–95","yearStart":1892,"yearEnd":1892},"medium":"Oil on canvas","classification":"oil on canvas","department":"Painting and Sculpture of Europe","dimensions":{"display":"123 × 141 cm (48 7/16 × 55 1/2 in.); Framed: 136.9 × 154.7 × 8.5 cm (53 7/8 × 60 7/8 × 3 5/16 in.)","widthCm":141,"heightCm":123,"depthCm":null},"image":{"url":"https://www.artic.edu/iiif/2/defb4004-b500-218d-3d9b-9a02423f097d/full/full/0/default.jpg","width":null,"height":null,"infoUrl":"https://www.artic.edu/iiif/2/defb4004-b500-218d-3d9b-9a02423f097d/info.json","iiifUrl":"https://www.artic.edu/iiif/2/defb4004-b500-218d-3d9b-9a02423f097d"},"source":{"name":"aic","id":"61128","museumUrl":"https://www.artic.edu/artworks/61128","metadataUrl":"https://api.artic.edu/api/v1/artworks/61128"},"rights":{"label":"CC0 Public Domain Designation","url":"https://www.artic.edu/open-access/open-access-images","license":"CC0","licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":false,"hasPhysicalSize":true,"hasPixelSize":false},"print":{"sourcePhysicalPpi":null,"maxSizeAt300PpiCm":null},"notes":["AIC exposes high-resolution IIIF URLs, but IIIF info.json currently returns a server-side challenge to this probe. Do not treat API thumbnail dimensions as full-resolution pixels."]},{"id":"cma:141639","title":"Twilight in the Wilderness","artist":"Frederic Edwin Church (American, 1826–1900)","date":{"display":"1860","yearStart":1860,"yearEnd":1860},"medium":"oil on canvas","classification":"Painting","department":"American Painting and Sculpture","dimensions":{"display":"Unframed: 101.6 x 162.6 cm (40 x 64 in.); Framed: 124 x 185 x 13 cm (48 13/16 x 72 13/16 x 5 1/8 in.)","widthCm":162.6,"heightCm":101.6,"depthCm":null},"image":{"url":"https://openaccess-cdn.clevelandart.org/1965.233/1965.233_full.tif","width":7673,"height":4791,"infoUrl":null,"iiifUrl":null},"source":{"name":"cma","id":"141639","museumUrl":"https://clevelandart.org/art/1965.233","metadataUrl":"https://openaccess-api.clevelandart.org/api/artworks/141639"},"rights":{"label":"CC0","url":"https://www.clevelandart.org/open-access","license":"CC0","licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":true,"hasPhysicalSize":true,"hasPixelSize":true},"print":{"sourcePhysicalPpi":119.8,"maxSizeAt300PpiCm":{"widthCm":65,"heightCm":40.6}},"notes":["Famous-title seeds are tried before the fallback CC0 painting sample. Prefer images.full, then images.print, then images.web."]},{"id":"cma:122351","title":"The Burning of the Houses of Lords and Commons, 16 October 1834","artist":"Joseph Mallord William Turner (British, 1775–1851)","date":{"display":"1835","yearStart":1835,"yearEnd":1835},"medium":"oil on canvas","classification":"Painting","department":"Modern European Painting and Sculpture","dimensions":{"display":"Framed: 123.5 x 153.5 x 12 cm (48 5/8 x 60 7/16 x 4 3/4 in.); Unframed: 92 x 123.2 cm (36 1/4 x 48 1/2 in.)","widthCm":123.2,"heightCm":92,"depthCm":null},"image":{"url":"https://openaccess-cdn.clevelandart.org/1942.647/1942.647_full.tif","width":15155,"height":11254,"infoUrl":null,"iiifUrl":null},"source":{"name":"cma","id":"122351","museumUrl":"https://clevelandart.org/art/1942.647","metadataUrl":"https://openaccess-api.clevelandart.org/api/artworks/122351"},"rights":{"label":"CC0","url":"https://www.clevelandart.org/open-access","license":"CC0","licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":true,"hasPhysicalSize":true,"hasPixelSize":true},"print":{"sourcePhysicalPpi":310.7,"maxSizeAt300PpiCm":{"widthCm":128.3,"heightCm":95.3}},"notes":["Famous-title seeds are tried before the fallback CC0 painting sample. Prefer images.full, then images.print, then images.web."]},{"id":"cma:93014","title":"View of Schroon Mountain, Essex County, New York, After a Storm","artist":"Thomas Cole (American, born England,1801–1848)","date":{"display":"1838","yearStart":1838,"yearEnd":1838},"medium":"oil on canvas","classification":"Painting","department":"American Painting and Sculpture","dimensions":{"display":"Framed: 132.5 x 193.5 x 13 cm (52 3/16 x 76 3/16 x 5 1/8 in.); Unframed: 99.8 x 160.6 cm (39 5/16 x 63 1/4 in.)","widthCm":160.6,"heightCm":99.8,"depthCm":null},"image":{"url":"https://openaccess-cdn.clevelandart.org/1917.1335/1917.1335_full.tif","width":6280,"height":3853,"infoUrl":null,"iiifUrl":null},"source":{"name":"cma","id":"93014","museumUrl":"https://clevelandart.org/art/1917.1335","metadataUrl":"https://openaccess-api.clevelandart.org/api/artworks/93014"},"rights":{"label":"CC0","url":"https://www.clevelandart.org/open-access","license":"CC0","licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":true,"hasPhysicalSize":true,"hasPixelSize":true},"print":{"sourcePhysicalPpi":98.1,"maxSizeAt300PpiCm":{"widthCm":53.2,"heightCm":32.6}},"notes":["Famous-title seeds are tried before the fallback CC0 painting sample. Prefer images.full, then images.print, then images.web."]},{"id":"cma:125249","title":"The Large Plane Trees (Road Menders at Saint-Rémy)","artist":"Vincent van Gogh (Dutch, 1853–1890)","date":{"display":"1889","yearStart":1889,"yearEnd":1889},"medium":"oil on fabric","classification":"Painting","department":"Modern European Painting and Sculpture","dimensions":{"display":"Framed: 104.5 x 124.5 x 7.6 cm (41 1/8 x 49 x 3 in.); Unframed: 73.4 x 91.8 cm (28 7/8 x 36 1/8 in.)","widthCm":91.8,"heightCm":73.4,"depthCm":null},"image":{"url":"https://openaccess-cdn.clevelandart.org/1947.209/1947.209_full.tif","width":14395,"height":11486,"infoUrl":null,"iiifUrl":null},"source":{"name":"cma","id":"125249","museumUrl":"https://clevelandart.org/art/1947.209","metadataUrl":"https://openaccess-api.clevelandart.org/api/artworks/125249"},"rights":{"label":"CC0","url":"https://www.clevelandart.org/open-access","license":"CC0","licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":true,"hasPhysicalSize":true,"hasPixelSize":true},"print":{"sourcePhysicalPpi":397.5,"maxSizeAt300PpiCm":{"widthCm":121.9,"heightCm":97.2}},"notes":["Famous-title seeds are tried before the fallback CC0 painting sample. Prefer images.full, then images.print, then images.web."]},{"id":"cma:92937","title":"Stag at Sharkey's","artist":"George Bellows (American, 1882–1925)","date":{"display":"1909","yearStart":1909,"yearEnd":1909},"medium":"oil on canvas","classification":"Painting","department":"American Painting and Sculpture","dimensions":{"display":"Framed: 110 x 140.5 x 8.5 cm (43 5/16 x 55 5/16 x 3 3/8 in.); Unframed: 92 x 122.6 cm (36 1/4 x 48 1/4 in.)","widthCm":122.6,"heightCm":92,"depthCm":null},"image":{"url":"https://openaccess-cdn.clevelandart.org/1922.1133/1922.1133_full.tif","width":10552,"height":7890,"infoUrl":null,"iiifUrl":null},"source":{"name":"cma","id":"92937","museumUrl":"https://clevelandart.org/art/1922.1133","metadataUrl":"https://openaccess-api.clevelandart.org/api/artworks/92937"},"rights":{"label":"CC0","url":"https://www.clevelandart.org/open-access","license":"CC0","licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":true,"hasPhysicalSize":true,"hasPixelSize":true},"print":{"sourcePhysicalPpi":217.8,"maxSizeAt300PpiCm":{"widthCm":89.3,"heightCm":66.8}},"notes":["Famous-title seeds are tried before the fallback CC0 painting sample. Prefer images.full, then images.print, then images.web."]},{"id":"cma:151904","title":"The Biglin Brothers Turning the Stake","artist":"Thomas Eakins (American, 1844–1916)","date":{"display":"1873","yearStart":1873,"yearEnd":1873},"medium":"oil on canvas","classification":"Painting","department":"American Painting and Sculpture","dimensions":{"display":"Framed: 117 x 167 x 6.5 cm (46 1/16 x 65 3/4 x 2 9/16 in.); Unframed: 101.3 x 151.4 cm (39 7/8 x 59 5/8 in.)","widthCm":151.4,"heightCm":101.3,"depthCm":null},"image":{"url":"https://openaccess-cdn.clevelandart.org/1927.1984/1927.1984_full.tif","width":7164,"height":4735,"infoUrl":null,"iiifUrl":null},"source":{"name":"cma","id":"151904","museumUrl":"https://clevelandart.org/art/1927.1984","metadataUrl":"https://openaccess-api.clevelandart.org/api/artworks/151904"},"rights":{"label":"CC0","url":"https://www.clevelandart.org/open-access","license":"CC0","licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":true,"hasPhysicalSize":true,"hasPixelSize":true},"print":{"sourcePhysicalPpi":118.7,"maxSizeAt300PpiCm":{"widthCm":60.7,"heightCm":40.1}},"notes":["Famous-title seeds are tried before the fallback CC0 painting sample. Prefer images.full, then images.print, then images.web."]},{"id":"cma:94979","title":"Nathaniel Hurd","artist":"John Singleton Copley (American, 1738–1815)","date":{"display":"c. 1765","yearStart":1765,"yearEnd":1765},"medium":"oil on canvas","classification":"Painting","department":"American Painting and Sculpture","dimensions":{"display":"Framed: 90.5 x 78 x 6.5 cm (35 5/8 x 30 11/16 x 2 9/16 in.); Unframed: 76.2 x 64.8 cm (30 x 25 1/2 in.)","widthCm":64.8,"heightCm":76.2,"depthCm":null},"image":{"url":"https://openaccess-cdn.clevelandart.org/1915.534/1915.534_full.tif","width":4609,"height":5500,"infoUrl":null,"iiifUrl":null},"source":{"name":"cma","id":"94979","museumUrl":"https://clevelandart.org/art/1915.534","metadataUrl":"https://openaccess-api.clevelandart.org/api/artworks/94979"},"rights":{"label":"CC0","url":"https://www.clevelandart.org/open-access","license":"CC0","licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":true,"hasPhysicalSize":true,"hasPixelSize":true},"print":{"sourcePhysicalPpi":180.7,"maxSizeAt300PpiCm":{"widthCm":39,"heightCm":46.6}},"notes":["Famous-title seeds are tried before the fallback CC0 painting sample. Prefer images.full, then images.print, then images.web."]},{"id":"cma:102578","title":"Portrait of Dora Wheeler","artist":"William Merritt Chase (American, 1849–1916)","date":{"display":"1882–83","yearStart":1882,"yearEnd":1882},"medium":"oil on canvas","classification":"Painting","department":"American Painting and Sculpture","dimensions":{"display":"Framed: 180.6 x 188.6 x 11 cm (71 1/8 x 74 1/4 x 4 5/16 in.); Unframed: 159.8 x 166.4 cm (62 15/16 x 65 1/2 in.)","widthCm":166.4,"heightCm":159.8,"depthCm":null},"image":{"url":"https://openaccess-cdn.clevelandart.org/1921.1239/1921.1239_full.tif","width":5000,"height":4786,"infoUrl":null,"iiifUrl":null},"source":{"name":"cma","id":"102578","museumUrl":"https://clevelandart.org/art/1921.1239","metadataUrl":"https://openaccess-api.clevelandart.org/api/artworks/102578"},"rights":{"label":"CC0","url":"https://www.clevelandart.org/open-access","license":"CC0","licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":true,"hasPhysicalSize":true,"hasPixelSize":true},"print":{"sourcePhysicalPpi":76.1,"maxSizeAt300PpiCm":{"widthCm":42.3,"heightCm":40.5}},"notes":["Famous-title seeds are tried before the fallback CC0 painting sample. Prefer images.full, then images.print, then images.web."]},{"id":"cma:110180","title":"The Race Track (Death on a Pale Horse)","artist":"Albert Pinkham Ryder (American, 1847–1917)","date":{"display":"c. 1896–1908","yearStart":1896,"yearEnd":1908},"medium":"oil on canvas","classification":"Painting","department":"American Painting and Sculpture","dimensions":{"display":"Framed: 84.5 x 102 x 6.5 cm (33 1/4 x 40 3/16 x 2 9/16 in.); Unframed: 70.5 x 90 cm (27 3/4 x 35 7/16 in.)","widthCm":90,"heightCm":70.5,"depthCm":null},"image":{"url":"https://openaccess-cdn.clevelandart.org/1928.8/1928.8_full.tif","width":14577,"height":11511,"infoUrl":null,"iiifUrl":null},"source":{"name":"cma","id":"110180","museumUrl":"https://clevelandart.org/art/1928.8","metadataUrl":"https://openaccess-api.clevelandart.org/api/artworks/110180"},"rights":{"label":"CC0","url":"https://www.clevelandart.org/open-access","license":"CC0","licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":true,"hasPhysicalSize":true,"hasPixelSize":true},"print":{"sourcePhysicalPpi":411.4,"maxSizeAt300PpiCm":{"widthCm":123.4,"heightCm":97.5}},"notes":["Famous-title seeds are tried before the fallback CC0 painting sample. Prefer images.full, then images.print, then images.web."]},{"id":"cma:137259","title":"Mme L . . . (Laure Borreau)","artist":"Gustave Courbet (French, 1819–1877)","date":{"display":"1863","yearStart":1863,"yearEnd":1863},"medium":"oil on fabric","classification":"Painting","department":"Modern European Painting and Sculpture","dimensions":{"display":"Framed: 112.4 x 93 x 12.1 cm (44 1/4 x 36 5/8 x 4 3/4 in.); Unframed: 81 x 61.2 cm (31 7/8 x 24 1/8 in.)","widthCm":61.2,"heightCm":81,"depthCm":null},"image":{"url":"https://openaccess-cdn.clevelandart.org/1962.2/1962.2_full.tif","width":4123,"height":5384,"infoUrl":null,"iiifUrl":null},"source":{"name":"cma","id":"137259","museumUrl":"https://clevelandart.org/art/1962.2","metadataUrl":"https://openaccess-api.clevelandart.org/api/artworks/137259"},"rights":{"label":"CC0","url":"https://www.clevelandart.org/open-access","license":"CC0","licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":true,"hasPhysicalSize":true,"hasPixelSize":true},"print":{"sourcePhysicalPpi":168.8,"maxSizeAt300PpiCm":{"widthCm":34.9,"heightCm":45.6}},"notes":["Famous-title seeds are tried before the fallback CC0 painting sample. Prefer images.full, then images.print, then images.web."]},{"id":"met:11417","title":"Washington Crossing the Delaware","artist":"Emanuel Leutze","date":{"display":"1851","yearStart":1851,"yearEnd":1851},"medium":"Oil on canvas","classification":"Painting","department":"The American Wing","dimensions":{"display":"149 x 255 in. (378.5 x 647.7 cm)","widthCm":647.7,"heightCm":378.5,"depthCm":null},"image":{"url":"https://images.metmuseum.org/CRDImages/ad/original/DP215410.jpg","width":null,"height":null,"infoUrl":null,"iiifUrl":null},"source":{"name":"met","id":"11417","museumUrl":"https://www.metmuseum.org/art/collection/search/11417","metadataUrl":"https://collectionapi.metmuseum.org/public/collection/v1/objects/11417"},"rights":{"label":"Public Domain / Open Access","url":"https://www.metmuseum.org/hubs/open-access","license":"CC0","licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":false,"hasPhysicalSize":true,"hasPixelSize":false},"print":{"sourcePhysicalPpi":null,"maxSizeAt300PpiCm":null},"notes":["Famous object IDs are tried before fallback title search. Met API does not expose image pixel dimensions; get them with an image HEAD/probe or Sharp during import."]},{"id":"met:12127","title":"Madame X (Virginie Amélie Avegno Gautreau)","artist":"John Singer Sargent","date":{"display":"1883–84","yearStart":1883,"yearEnd":1883},"medium":"Oil on canvas","classification":"Painting","department":"The American Wing","dimensions":{"display":"82 1/8 × 43 1/4 in. (208.6 × 109.9 cm)\r\nFramed: 95 3/4 × 56 5/8 × 5 in. (243.2 × 143.8 × 12.7 cm)","widthCm":109.9,"heightCm":208.6,"depthCm":null},"image":{"url":"https://images.metmuseum.org/CRDImages/ad/original/DP-29006-001.jpg","width":null,"height":null,"infoUrl":null,"iiifUrl":null},"source":{"name":"met","id":"12127","museumUrl":"https://www.metmuseum.org/art/collection/search/12127","metadataUrl":"https://collectionapi.metmuseum.org/public/collection/v1/objects/12127"},"rights":{"label":"Public Domain / Open Access","url":"https://www.metmuseum.org/hubs/open-access","license":"CC0","licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":false,"hasPhysicalSize":true,"hasPixelSize":false},"print":{"sourcePhysicalPpi":null,"maxSizeAt300PpiCm":null},"notes":["Famous object IDs are tried before fallback title search. Met API does not expose image pixel dimensions; get them with an image HEAD/probe or Sharp during import."]},{"id":"met:436535","title":"Wheat Field with Cypresses","artist":"Vincent van Gogh","date":{"display":"1889","yearStart":1889,"yearEnd":1889},"medium":"Oil on canvas","classification":"Paintings","department":"European Paintings","dimensions":{"display":"28 13/16 × 36 3/4 in. (73.2 × 93.4 cm)","widthCm":93.4,"heightCm":73.2,"depthCm":null},"image":{"url":"https://images.metmuseum.org/CRDImages/ep/original/DP-42549-001.jpg","width":null,"height":null,"infoUrl":null,"iiifUrl":null},"source":{"name":"met","id":"436535","museumUrl":"https://www.metmuseum.org/art/collection/search/436535","metadataUrl":"https://collectionapi.metmuseum.org/public/collection/v1/objects/436535"},"rights":{"label":"Public Domain / Open Access","url":"https://www.metmuseum.org/hubs/open-access","license":"CC0","licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":false,"hasPhysicalSize":true,"hasPixelSize":false},"print":{"sourcePhysicalPpi":null,"maxSizeAt300PpiCm":null},"notes":["Famous object IDs are tried before fallback title search. Met API does not expose image pixel dimensions; get them with an image HEAD/probe or Sharp during import."]},{"id":"met:436105","title":"The Death of Socrates","artist":"Jacques Louis David","date":{"display":"1787","yearStart":1787,"yearEnd":1787},"medium":"Oil on canvas","classification":"Paintings","department":"European Paintings","dimensions":{"display":"51 x 77 1/4 in. (129.5 x 196.2 cm)","widthCm":196.2,"heightCm":129.5,"depthCm":null},"image":{"url":"https://images.metmuseum.org/CRDImages/ep/original/DP-13139-001.jpg","width":null,"height":null,"infoUrl":null,"iiifUrl":null},"source":{"name":"met","id":"436105","museumUrl":"https://www.metmuseum.org/art/collection/search/436105","metadataUrl":"https://collectionapi.metmuseum.org/public/collection/v1/objects/436105"},"rights":{"label":"Public Domain / Open Access","url":"https://www.metmuseum.org/hubs/open-access","license":"CC0","licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":false,"hasPhysicalSize":true,"hasPixelSize":false},"print":{"sourcePhysicalPpi":null,"maxSizeAt300PpiCm":null},"notes":["Famous object IDs are tried before fallback title search. Met API does not expose image pixel dimensions; get them with an image HEAD/probe or Sharp during import."]},{"id":"met:435809","title":"The Harvesters","artist":"Pieter Bruegel the Elder","date":{"display":"1565","yearStart":1565,"yearEnd":1565},"medium":"Oil on wood","classification":"Paintings","department":"European Paintings","dimensions":{"display":"Overall, including added strips at top, bottom, and right, 46 7/8 x 63 3/4 in. (119 x 162 cm); original painted surface 45 7/8 x 62 7/8 in. (116.5 x 159.5 cm)","widthCm":159.5,"heightCm":116.5,"depthCm":null},"image":{"url":"https://images.metmuseum.org/CRDImages/ep/original/DP119115.jpg","width":null,"height":null,"infoUrl":null,"iiifUrl":null},"source":{"name":"met","id":"435809","museumUrl":"https://www.metmuseum.org/art/collection/search/435809","metadataUrl":"https://collectionapi.metmuseum.org/public/collection/v1/objects/435809"},"rights":{"label":"Public Domain / Open Access","url":"https://www.metmuseum.org/hubs/open-access","license":"CC0","licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":false,"hasPhysicalSize":true,"hasPixelSize":false},"print":{"sourcePhysicalPpi":null,"maxSizeAt300PpiCm":null},"notes":["Famous object IDs are tried before fallback title search. Met API does not expose image pixel dimensions; get them with an image HEAD/probe or Sharp during import."]},{"id":"met:436524","title":"Sunflowers","artist":"Vincent van Gogh","date":{"display":"1887","yearStart":1887,"yearEnd":1887},"medium":"Oil on canvas","classification":"Paintings","department":"European Paintings","dimensions":{"display":"17 x 24 in. (43.2 x 61 cm)","widthCm":61,"heightCm":43.2,"depthCm":null},"image":{"url":"https://images.metmuseum.org/CRDImages/ep/original/DP-41223-001.jpg","width":null,"height":null,"infoUrl":null,"iiifUrl":null},"source":{"name":"met","id":"436524","museumUrl":"https://www.metmuseum.org/art/collection/search/436524","metadataUrl":"https://collectionapi.metmuseum.org/public/collection/v1/objects/436524"},"rights":{"label":"Public Domain / Open Access","url":"https://www.metmuseum.org/hubs/open-access","license":"CC0","licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":false,"hasPhysicalSize":true,"hasPixelSize":false},"print":{"sourcePhysicalPpi":null,"maxSizeAt300PpiCm":null},"notes":["Famous object IDs are tried before fallback title search. Met API does not expose image pixel dimensions; get them with an image HEAD/probe or Sharp during import."]},{"id":"met:436947","title":"Boating","artist":"Edouard Manet","date":{"display":"1874","yearStart":1874,"yearEnd":1874},"medium":"Oil on canvas","classification":"Paintings","department":"European Paintings","dimensions":{"display":"38 1/4 x 51 1/4 in. (97.2 x 130.2 cm)","widthCm":130.2,"heightCm":97.2,"depthCm":null},"image":{"url":"https://images.metmuseum.org/CRDImages/ep/original/DP-25466-001.jpg","width":null,"height":null,"infoUrl":null,"iiifUrl":null},"source":{"name":"met","id":"436947","museumUrl":"https://www.metmuseum.org/art/collection/search/436947","metadataUrl":"https://collectionapi.metmuseum.org/public/collection/v1/objects/436947"},"rights":{"label":"Public Domain / Open Access","url":"https://www.metmuseum.org/hubs/open-access","license":"CC0","licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":false,"hasPhysicalSize":true,"hasPixelSize":false},"print":{"sourcePhysicalPpi":null,"maxSizeAt300PpiCm":null},"notes":["Famous object IDs are tried before fallback title search. Met API does not expose image pixel dimensions; get them with an image HEAD/probe or Sharp during import."]},{"id":"met:436532","title":"Self-Portrait with a Straw Hat (obverse: The Potato Peeler)","artist":"Vincent van Gogh","date":{"display":"1887","yearStart":1887,"yearEnd":1887},"medium":"Oil on canvas","classification":"Paintings","department":"European Paintings","dimensions":{"display":"16 x 12 1/2 in. (40.6 x 31.8 cm)","widthCm":31.8,"heightCm":40.6,"depthCm":null},"image":{"url":"https://images.metmuseum.org/CRDImages/ep/original/DT1502_cropped2.jpg","width":null,"height":null,"infoUrl":null,"iiifUrl":null},"source":{"name":"met","id":"436532","museumUrl":"https://www.metmuseum.org/art/collection/search/436532","metadataUrl":"https://collectionapi.metmuseum.org/public/collection/v1/objects/436532"},"rights":{"label":"Public Domain / Open Access","url":"https://www.metmuseum.org/hubs/open-access","license":"CC0","licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":false,"hasPhysicalSize":true,"hasPixelSize":false},"print":{"sourcePhysicalPpi":null,"maxSizeAt300PpiCm":null},"notes":["Famous object IDs are tried before fallback title search. Met API does not expose image pixel dimensions; get them with an image HEAD/probe or Sharp during import."]},{"id":"met:436121","title":"A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?)","artist":"Edgar Degas","date":{"display":"1865","yearStart":1865,"yearEnd":1865},"medium":"Oil on canvas","classification":"Paintings","department":"European Paintings","dimensions":{"display":"29 x 36 1/2 in. (73.7 x 92.7 cm)","widthCm":92.7,"heightCm":73.7,"depthCm":null},"image":{"url":"https://images.metmuseum.org/CRDImages/ep/original/DP-25460-001.jpg","width":null,"height":null,"infoUrl":null,"iiifUrl":null},"source":{"name":"met","id":"436121","museumUrl":"https://www.metmuseum.org/art/collection/search/436121","metadataUrl":"https://collectionapi.metmuseum.org/public/collection/v1/objects/436121"},"rights":{"label":"Public Domain / Open Access","url":"https://www.metmuseum.org/hubs/open-access","license":"CC0","licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":false,"hasPhysicalSize":true,"hasPixelSize":false},"print":{"sourcePhysicalPpi":null,"maxSizeAt300PpiCm":null},"notes":["Famous object IDs are tried before fallback title search. Met API does not expose image pixel dimensions; get them with an image HEAD/probe or Sharp during import."]},{"id":"met:438817","title":"The Dance Class","artist":"Edgar Degas","date":{"display":"1874","yearStart":1874,"yearEnd":1874},"medium":"Oil on canvas","classification":"Paintings","department":"European Paintings","dimensions":{"display":"32 7/8 x 30 3/8 in. (83.5 x 77.2 cm)","widthCm":77.2,"heightCm":83.5,"depthCm":null},"image":{"url":"https://images.metmuseum.org/CRDImages/ep/original/DP-20101-001.jpg","width":null,"height":null,"infoUrl":null,"iiifUrl":null},"source":{"name":"met","id":"438817","museumUrl":"https://www.metmuseum.org/art/collection/search/438817","metadataUrl":"https://collectionapi.metmuseum.org/public/collection/v1/objects/438817"},"rights":{"label":"Public Domain / Open Access","url":"https://www.metmuseum.org/hubs/open-access","license":"CC0","licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":false,"hasPhysicalSize":true,"hasPixelSize":false},"print":{"sourcePhysicalPpi":null,"maxSizeAt300PpiCm":null},"notes":["Famous object IDs are tried before fallback title search. Met API does not expose image pixel dimensions; get them with an image HEAD/probe or Sharp during import."]},{"id":"smk:KMS3123","title":"Udsigt gennem tre buer i Colosseums tredje stokværk","artist":"C.W. Eckersberg","date":{"display":"1815","yearStart":1815,"yearEnd":1815},"medium":"Olie på lærred","classification":"Maleri","department":"Den Kongelige Maleri- og Skulptursamling","dimensions":{"display":"Netto højde: 32 centimeter: 320 x 495 mm; Netto bredde: 49.5 centimeter: 320 x 495 mm; Brutto højde: 43.8 centimeter: 438 x 611 x 70 mm; Brutto bredde: 61.1 centimeter: 438 x 611 x 70 mm; Brutto dybde: 8 centimeter: 438 x 611 x 70 mm","widthCm":49.5,"heightCm":32,"depthCm":null},"image":{"url":"https://iip.smk.dk/iiif/jp2/hm50tw13v_KMS3123_-_lille.tif.reconstructed.tif.jp2/full/full/0/default.jpg","width":4049,"height":2575,"infoUrl":"https://iip.smk.dk/iiif/jp2/hm50tw13v_KMS3123_-_lille.tif.reconstructed.tif.jp2/info.json","iiifUrl":"https://iip.smk.dk/iiif/jp2/hm50tw13v_KMS3123_-_lille.tif.reconstructed.tif.jp2"},"source":{"name":"smk","id":"KMS3123","museumUrl":"https://open.smk.dk/artwork/image/KMS3123","metadataUrl":"https://api.smk.dk/api/v1/art?object_number=KMS3123"},"rights":{"label":"SMK Public Domain","url":"https://www.smk.dk/en/article/free-download-of-images/","license":"Public Domain Mark","licenseUrl":"https://creativecommons.org/publicdomain/mark/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":true,"hasPhysicalSize":true,"hasPixelSize":true},"print":{"sourcePhysicalPpi":204.4,"maxSizeAt300PpiCm":{"widthCm":34.3,"heightCm":21.8}},"notes":["Famous-title seeds are tried before the fallback painting search. Filter object_names for Maleri; search keyword alone returns drawings and prints too."]},{"id":"smk:KMS586","title":"Den sårede Filoktet","artist":"Nicolai Abildgaard","date":{"display":"1775","yearStart":1775,"yearEnd":1775},"medium":"Olie på lærred","classification":"Maleri","department":"Den Kongelige Maleri- og Skulptursamling","dimensions":{"display":"Netto højde: 123 centimeter: 1230 x 1755 mm; Netto bredde: 175.5 centimeter: 1230 x 1755 mm; Brutto højde: 132.6 centimeter: 1326 x 1826 x 57 mm; Brutto bredde: 182.6 centimeter: 1326 x 1826 x 57 mm; Brutto dybde: 5.7 centimeter: 1326 x 1826 x 57 mm","widthCm":175.5,"heightCm":123,"depthCm":null},"image":{"url":"https://iip.smk.dk/iiif/jp2/8910jx49s_KMS586.tif.reconstructed.tif.jp2/full/full/0/default.jpg","width":4251,"height":3002,"infoUrl":"https://iip.smk.dk/iiif/jp2/8910jx49s_KMS586.tif.reconstructed.tif.jp2/info.json","iiifUrl":"https://iip.smk.dk/iiif/jp2/8910jx49s_KMS586.tif.reconstructed.tif.jp2"},"source":{"name":"smk","id":"KMS586","museumUrl":"https://open.smk.dk/artwork/image/KMS586","metadataUrl":"https://api.smk.dk/api/v1/art?object_number=KMS586"},"rights":{"label":"SMK Public Domain","url":"https://www.smk.dk/en/article/free-download-of-images/","license":"Public Domain Mark","licenseUrl":"https://creativecommons.org/publicdomain/mark/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":true,"hasPhysicalSize":true,"hasPixelSize":true},"print":{"sourcePhysicalPpi":61.5,"maxSizeAt300PpiCm":{"widthCm":36,"heightCm":25.4}},"notes":["Famous-title seeds are tried before the fallback painting search. Filter object_names for Maleri; search keyword alone returns drawings and prints too."]},{"id":"smk:KMS1989","title":"Trompe l'oeil. Bagsiden af et indrammet maleri","artist":"Cornelius Norbertus Gijsbrechts","date":{"display":"1668-1672","yearStart":1668,"yearEnd":1672},"medium":"Olie på lærred","classification":"Maleri","department":"Den Kongelige Maleri- og Skulptursamling","dimensions":{"display":"Netto højde: 66.4 centimeter: 664 x 870 mm; Netto bredde: 87 centimeter: 664 x 870 mm; Brutto højde: 66.6 centimeter: 666 x 868 x 37 mm; Brutto bredde: 86.8 centimeter: 666 x 868 x 37 mm; Brutto dybde: 3.7 centimeter: 666 x 868 x 37 mm","widthCm":87,"heightCm":66.4,"depthCm":null},"image":{"url":"https://iip.smk.dk/iiif/jp2/mp48sg89s_KMS1989_-_CMM.tif.reconstructed.tif.jp2/full/full/0/default.jpg","width":4404,"height":3396,"infoUrl":"https://iip.smk.dk/iiif/jp2/mp48sg89s_KMS1989_-_CMM.tif.reconstructed.tif.jp2/info.json","iiifUrl":"https://iip.smk.dk/iiif/jp2/mp48sg89s_KMS1989_-_CMM.tif.reconstructed.tif.jp2"},"source":{"name":"smk","id":"KMS1989","museumUrl":"https://open.smk.dk/artwork/image/KMS1989","metadataUrl":"https://api.smk.dk/api/v1/art?object_number=KMS1989"},"rights":{"label":"SMK Public Domain","url":"https://www.smk.dk/en/article/free-download-of-images/","license":"Public Domain Mark","licenseUrl":"https://creativecommons.org/publicdomain/mark/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":true,"hasPhysicalSize":true,"hasPixelSize":true},"print":{"sourcePhysicalPpi":128.6,"maxSizeAt300PpiCm":{"widthCm":37.3,"heightCm":28.8}},"notes":["Famous-title seeds are tried before the fallback painting search. Filter object_names for Maleri; search keyword alone returns drawings and prints too."]},{"id":"smk:KMS3329","title":"Familien Waagepetersen","artist":"Wilhelm Marstrand","date":{"display":"1836","yearStart":1836,"yearEnd":1836},"medium":"Olie på lærred","classification":"Maleri","department":"Den Kongelige Maleri- og Skulptursamling","dimensions":{"display":"Netto højde: 58.8 centimeter: 588 x 680 mm; Netto bredde: 68 centimeter: 588 x 680 mm; Brutto højde: 70.4 centimeter; Brutto bredde: 80.3 centimeter; Brutto dybde: 7 centimeter","widthCm":68,"heightCm":58.800000000000004,"depthCm":null},"image":{"url":"https://iip.smk.dk/iiif/jp2/x633f4268_KMS3329.tif.reconstructed.tif.jp2/full/full/0/default.jpg","width":4134,"height":3510,"infoUrl":"https://iip.smk.dk/iiif/jp2/x633f4268_KMS3329.tif.reconstructed.tif.jp2/info.json","iiifUrl":"https://iip.smk.dk/iiif/jp2/x633f4268_KMS3329.tif.reconstructed.tif.jp2"},"source":{"name":"smk","id":"KMS3329","museumUrl":"https://open.smk.dk/artwork/image/KMS3329","metadataUrl":"https://api.smk.dk/api/v1/art?object_number=KMS3329"},"rights":{"label":"SMK Public Domain","url":"https://www.smk.dk/en/article/free-download-of-images/","license":"Public Domain Mark","licenseUrl":"https://creativecommons.org/publicdomain/mark/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":true,"hasPhysicalSize":true,"hasPixelSize":true},"print":{"sourcePhysicalPpi":151.6,"maxSizeAt300PpiCm":{"widthCm":35,"heightCm":29.7}},"notes":["Famous-title seeds are tried before the fallback painting search. Filter object_names for Maleri; search keyword alone returns drawings and prints too."]},{"id":"smk:KMS9132","title":"Stilleben med vandrefalk og fugle","artist":"Clara Peeters","date":{"display":"1615","yearStart":1615,"yearEnd":1615},"medium":"Olie på træ","classification":"Maleri","department":null,"dimensions":{"display":"Netto højde: 33.8 centimeter; Netto bredde: 55 centimeter","widthCm":null,"heightCm":null,"depthCm":null},"image":{"url":"https://iip.smk.dk/iiif/jp2/cz30pz30k_kms9132__1_.tif.jp2/full/full/0/default.jpg","width":11116,"height":6920,"infoUrl":"https://iip.smk.dk/iiif/jp2/cz30pz30k_kms9132__1_.tif.jp2/info.json","iiifUrl":"https://iip.smk.dk/iiif/jp2/cz30pz30k_kms9132__1_.tif.jp2"},"source":{"name":"smk","id":"KMS9132","museumUrl":"https://open.smk.dk/artwork/image/KMS9132","metadataUrl":"https://api.smk.dk/api/v1/art?object_number=KMS9132"},"rights":{"label":"SMK Public Domain","url":"https://www.smk.dk/en/article/free-download-of-images/","license":"Public Domain Mark","licenseUrl":"https://creativecommons.org/publicdomain/mark/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":true,"hasPhysicalSize":false,"hasPixelSize":true},"print":{"sourcePhysicalPpi":null,"maxSizeAt300PpiCm":{"widthCm":94.1,"heightCm":58.6}},"notes":["Famous-title seeds are tried before the fallback painting search. Filter object_names for Maleri; search keyword alone returns drawings and prints too."]},{"id":"smk:KMS1573","title":"Ved klaveret","artist":"Peter Ilsted","date":{"display":"1876-1898","yearStart":1876,"yearEnd":1898},"medium":"Olie på lærred","classification":"Maleri","department":"Den Kongelige Maleri- og Skulptursamling","dimensions":{"display":"Netto højde: 40 centimeter: 400 x 325 mm; Netto bredde: 32.5 centimeter: 400 x 325 mm","widthCm":32.5,"heightCm":40,"depthCm":null},"image":{"url":"https://iip.smk.dk/iiif/jp2/cr56n3977_KMSkms1573.tif.reconstructed.tif.jp2/full/full/0/default.jpg","width":3479,"height":4234,"infoUrl":"https://iip.smk.dk/iiif/jp2/cr56n3977_KMSkms1573.tif.reconstructed.tif.jp2/info.json","iiifUrl":"https://iip.smk.dk/iiif/jp2/cr56n3977_KMSkms1573.tif.reconstructed.tif.jp2"},"source":{"name":"smk","id":"KMS1573","museumUrl":"https://open.smk.dk/artwork/image/KMS1573","metadataUrl":"https://api.smk.dk/api/v1/art?object_number=KMS1573"},"rights":{"label":"SMK Public Domain","url":"https://www.smk.dk/en/article/free-download-of-images/","license":"Public Domain Mark","licenseUrl":"https://creativecommons.org/publicdomain/mark/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":true,"hasPhysicalSize":true,"hasPixelSize":true},"print":{"sourcePhysicalPpi":268.9,"maxSizeAt300PpiCm":{"widthCm":29.5,"heightCm":35.8}},"notes":["Famous-title seeds are tried before the fallback painting search. Filter object_names for Maleri; search keyword alone returns drawings and prints too."]},{"id":"smk:KMS8003","title":"Familien Waagepetersen","artist":"Wilhelm Bendz","date":{"display":"1830","yearStart":1830,"yearEnd":1830},"medium":"Olie på lærred","classification":"Maleri","department":"Den Kongelige Maleri- og Skulptursamling","dimensions":{"display":"Netto højde: 99.5 centimeter: 995 x 885 mm; Netto bredde: 88.5 centimeter: 995 x 885 mm; Brutto højde: 118.8 centimeter; Brutto bredde: 107.5 centimeter; Brutto dybde: 10.1 centimeter","widthCm":88.5,"heightCm":99.5,"depthCm":null},"image":{"url":"https://iip.smk.dk/iiif/jp2/5m60qw54b_KMS8003_crop.tif.jp2/full/full/0/default.jpg","width":3820,"height":4300,"infoUrl":"https://iip.smk.dk/iiif/jp2/5m60qw54b_KMS8003_crop.tif.jp2/info.json","iiifUrl":"https://iip.smk.dk/iiif/jp2/5m60qw54b_KMS8003_crop.tif.jp2"},"source":{"name":"smk","id":"KMS8003","museumUrl":"https://open.smk.dk/artwork/image/KMS8003","metadataUrl":"https://api.smk.dk/api/v1/art?object_number=KMS8003"},"rights":{"label":"SMK Public Domain","url":"https://www.smk.dk/en/article/free-download-of-images/","license":"Public Domain Mark","licenseUrl":"https://creativecommons.org/publicdomain/mark/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":true,"hasPhysicalSize":true,"hasPixelSize":true},"print":{"sourcePhysicalPpi":109.6,"maxSizeAt300PpiCm":{"widthCm":32.3,"heightCm":36.4}},"notes":["Famous-title seeds are tried before the fallback painting search. Filter object_names for Maleri; search keyword alone returns drawings and prints too."]},{"id":"smk:KMS3297","title":"Christian I ophøjer Holsten til hertugdømme i 1474. Allegori. Maleri udført til Christiansborg Slot","artist":"Nicolai Abildgaard","date":{"display":"1780","yearStart":1780,"yearEnd":1780},"medium":"Olie på lærred","classification":"Maleri","department":"Den Kongelige Maleri- og Skulptursamling","dimensions":{"display":"Netto højde: 308 centimeter: 3080 x 1970 mm; Netto bredde: 197 centimeter: 3080 x 1970 mm","widthCm":197,"heightCm":308,"depthCm":null},"image":{"url":"https://iip.smk.dk/iiif/jp2/x920g1125_kms3297.tif.reconstructed.tif.jp2/full/full/0/default.jpg","width":2445,"height":3920,"infoUrl":"https://iip.smk.dk/iiif/jp2/x920g1125_kms3297.tif.reconstructed.tif.jp2/info.json","iiifUrl":"https://iip.smk.dk/iiif/jp2/x920g1125_kms3297.tif.reconstructed.tif.jp2"},"source":{"name":"smk","id":"KMS3297","museumUrl":"https://open.smk.dk/artwork/image/KMS3297","metadataUrl":"https://api.smk.dk/api/v1/art?object_number=KMS3297"},"rights":{"label":"SMK Public Domain","url":"https://www.smk.dk/en/article/free-download-of-images/","license":"Public Domain Mark","licenseUrl":"https://creativecommons.org/publicdomain/mark/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":true,"hasPhysicalSize":true,"hasPixelSize":true},"print":{"sourcePhysicalPpi":31.5,"maxSizeAt300PpiCm":{"widthCm":20.7,"heightCm":33.2}},"notes":["Famous-title seeds are tried before the fallback painting search. Filter object_names for Maleri; search keyword alone returns drawings and prints too."]},{"id":"smk:KMS379","title":"Stilleben. Måltidsstykke med sølvkande","artist":"Willem van Aelst","date":{"display":"1657","yearStart":1657,"yearEnd":1657},"medium":"Olie på lærred","classification":"Maleri","department":"Den Kongelige Maleri- og Skulptursamling","dimensions":{"display":"Netto højde: 58 centimeter: 580 x 460 mm; Netto bredde: 46 centimeter: 580 x 460 mm","widthCm":46,"heightCm":58,"depthCm":null},"image":{"url":"https://iip.smk.dk/iiif/jp2/12579x75v_kms379.tif.jp2/full/full/0/default.jpg","width":8008,"height":10008,"infoUrl":"https://iip.smk.dk/iiif/jp2/12579x75v_kms379.tif.jp2/info.json","iiifUrl":"https://iip.smk.dk/iiif/jp2/12579x75v_kms379.tif.jp2"},"source":{"name":"smk","id":"KMS379","museumUrl":"https://open.smk.dk/artwork/image/KMS379","metadataUrl":"https://api.smk.dk/api/v1/art?object_number=KMS379"},"rights":{"label":"SMK Public Domain","url":"https://www.smk.dk/en/article/free-download-of-images/","license":"Public Domain Mark","licenseUrl":"https://creativecommons.org/publicdomain/mark/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":true,"hasPhysicalSize":true,"hasPixelSize":true},"print":{"sourcePhysicalPpi":438.3,"maxSizeAt300PpiCm":{"widthCm":67.8,"heightCm":84.7}},"notes":["Famous-title seeds are tried before the fallback painting search. Filter object_names for Maleri; search keyword alone returns drawings and prints too."]},{"id":"smk:KMS1518","title":"Stilleben","artist":"Nicolaes van Gelder","date":{"display":"1672","yearStart":1672,"yearEnd":1672},"medium":"Olie på lærred","classification":"Maleri","department":"Den Kongelige Maleri- og Skulptursamling","dimensions":{"display":"Netto højde: 67 centimeter: 670 x 530 mm; Netto bredde: 53 centimeter: 670 x 530 mm; Brutto højde: 85 centimeter; Brutto bredde: 71 centimeter; Brutto dybde: 8 centimeter","widthCm":53,"heightCm":67,"depthCm":null},"image":{"url":"https://iip.smk.dk/iiif/jp2/g445ch392_KMSKMS1518.tif.reconstructed.tif.jp2/full/full/0/default.jpg","width":3088,"height":3915,"infoUrl":"https://iip.smk.dk/iiif/jp2/g445ch392_KMSKMS1518.tif.reconstructed.tif.jp2/info.json","iiifUrl":"https://iip.smk.dk/iiif/jp2/g445ch392_KMSKMS1518.tif.reconstructed.tif.jp2"},"source":{"name":"smk","id":"KMS1518","museumUrl":"https://open.smk.dk/artwork/image/KMS1518","metadataUrl":"https://api.smk.dk/api/v1/art?object_number=KMS1518"},"rights":{"label":"SMK Public Domain","url":"https://www.smk.dk/en/article/free-download-of-images/","license":"Public Domain Mark","licenseUrl":"https://creativecommons.org/publicdomain/mark/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":true,"hasPhysicalSize":true,"hasPixelSize":true},"print":{"sourcePhysicalPpi":148,"maxSizeAt300PpiCm":{"widthCm":26.1,"heightCm":33.1}},"notes":["Famous-title seeds are tried before the fallback painting search. Filter object_names for Maleri; search keyword alone returns drawings and prints too."]},{"id":"rijksmuseum:200107928","title":"Het korporaalschap van kapitein Frans Banninck Cocq en luitenant Willem van Ruytenburch, bekend als de 'Nachtwacht'","artist":"Rembrandt van Rijn","date":{"display":"1642","yearStart":1642,"yearEnd":1642},"medium":"oil on canvas","classification":"Painting","department":"Rijksmuseum","dimensions":{"display":"379.5 × 453.5 cm","widthCm":453.5,"heightCm":379.5,"depthCm":null},"image":{"url":"https://iiif.micr.io/PJEZO/full/max/0/default.jpg","width":14645,"height":12158,"infoUrl":"https://iiif.micr.io/PJEZO/info.json","iiifUrl":"https://iiif.micr.io/PJEZO"},"source":{"name":"rijksmuseum","id":"200107928","museumUrl":"http://hdl.handle.net/10934/RM0001.COLLECT.5216","metadataUrl":"https://id.rijksmuseum.nl/200107928"},"rights":{"label":"Rijksmuseum Public Domain / CC0","url":"https://data.rijksmuseum.nl/policy/","license":"CC0","licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":true,"hasPhysicalSize":true,"hasPixelSize":true},"print":{"sourcePhysicalPpi":81.4,"maxSizeAt300PpiCm":{"widthCm":124,"heightCm":102.9}},"notes":["Famous-title seeds are tried before the fallback search. Resolve object to visual item to digital item to IIIF access point."]},{"id":"rijksmuseum:200108369","title":"The Milkmaid","artist":"Johannes Vermeer","date":{"display":"ca. 1660","yearStart":1660,"yearEnd":1660},"medium":"oil on canvas","classification":"Painting","department":"Rijksmuseum","dimensions":{"display":"45.5 × 41 cm","widthCm":41,"heightCm":45.5,"depthCm":null},"image":{"url":"https://iiif.micr.io/QkOGy/full/max/0/default.jpg","width":4649,"height":5177,"infoUrl":"https://iiif.micr.io/QkOGy/info.json","iiifUrl":"https://iiif.micr.io/QkOGy"},"source":{"name":"rijksmuseum","id":"200108369","museumUrl":"http://hdl.handle.net/10934/RM0001.COLLECT.6417","metadataUrl":"https://id.rijksmuseum.nl/200108369"},"rights":{"label":"Rijksmuseum Public Domain / CC0","url":"https://data.rijksmuseum.nl/policy/","license":"CC0","licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":true,"hasPhysicalSize":true,"hasPixelSize":true},"print":{"sourcePhysicalPpi":288,"maxSizeAt300PpiCm":{"widthCm":39.4,"heightCm":43.8}},"notes":["Famous-title seeds are tried before the fallback search. Resolve object to visual item to digital item to IIIF access point."]},{"id":"rijksmuseum:200107934","title":"Portrait of a couple as figures from the Old Testament, known as 'The Jewish bride'","artist":"Rembrandt van Rijn","date":{"display":"c. 1665 - c. 1669","yearStart":1665,"yearEnd":1669},"medium":"oil on canvas","classification":"Painting","department":"Rijksmuseum","dimensions":{"display":"121.5 × 166.5 cm","widthCm":166.5,"heightCm":121.5,"depthCm":null},"image":{"url":"https://iiif.micr.io/uRWXq/full/max/0/default.jpg","width":7620,"height":5542,"infoUrl":"https://iiif.micr.io/uRWXq/info.json","iiifUrl":"https://iiif.micr.io/uRWXq"},"source":{"name":"rijksmuseum","id":"200107934","museumUrl":"http://hdl.handle.net/10934/RM0001.COLLECT.5223","metadataUrl":"https://id.rijksmuseum.nl/200107934"},"rights":{"label":"Rijksmuseum Public Domain / CC0","url":"https://data.rijksmuseum.nl/policy/","license":"CC0","licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":true,"hasPhysicalSize":true,"hasPixelSize":true},"print":{"sourcePhysicalPpi":115.9,"maxSizeAt300PpiCm":{"widthCm":64.5,"heightCm":46.9}},"notes":["Famous-title seeds are tried before the fallback search. Resolve object to visual item to digital item to IIIF access point."]},{"id":"rijksmuseum:200108371","title":"Gezicht op huizen in Delft, bekend als ‘Het straatje’","artist":"Johannes Vermeer","date":{"display":"ca. 1658","yearStart":1658,"yearEnd":1658},"medium":"oil on canvas","classification":"Painting","department":"Rijksmuseum","dimensions":{"display":"doekmaat: 54.3 × 44 × 9 cm","widthCm":44,"heightCm":54.3,"depthCm":9},"image":{"url":"https://iiif.micr.io/VWEov/full/max/0/default.jpg","width":5190,"height":6344,"infoUrl":"https://iiif.micr.io/VWEov/info.json","iiifUrl":"https://iiif.micr.io/VWEov"},"source":{"name":"rijksmuseum","id":"200108371","museumUrl":"http://hdl.handle.net/10934/RM0001.COLLECT.6419","metadataUrl":"https://id.rijksmuseum.nl/200108371"},"rights":{"label":"Rijksmuseum Public Domain / CC0","url":"https://data.rijksmuseum.nl/policy/","license":"CC0","licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":true,"hasPhysicalSize":true,"hasPixelSize":true},"print":{"sourcePhysicalPpi":296.8,"maxSizeAt300PpiCm":{"widthCm":43.9,"heightCm":53.7}},"notes":["Famous-title seeds are tried before the fallback search. Resolve object to visual item to digital item to IIIF access point."]},{"id":"rijksmuseum:200100988","title":"Misty Sea","artist":"Jan Toorop","date":{"display":"1899","yearStart":1899,"yearEnd":1899},"medium":"oil on canvas","classification":"Painting","department":"Rijksmuseum","dimensions":{"display":"39.5 × 43.5 cm","widthCm":43.5,"heightCm":39.5,"depthCm":null},"image":{"url":"https://iiif.micr.io/mPymb/full/max/0/default.jpg","width":5862,"height":5197,"infoUrl":"https://iiif.micr.io/mPymb/info.json","iiifUrl":"https://iiif.micr.io/mPymb"},"source":{"name":"rijksmuseum","id":"200100988","museumUrl":"http://hdl.handle.net/10934/RM0001.COLLECT.516953","metadataUrl":"https://id.rijksmuseum.nl/200100988"},"rights":{"label":"Rijksmuseum Public Domain / CC0","url":"https://data.rijksmuseum.nl/policy/","license":"CC0","licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":true,"hasPhysicalSize":true,"hasPixelSize":true},"print":{"sourcePhysicalPpi":334.2,"maxSizeAt300PpiCm":{"widthCm":49.6,"heightCm":44}},"notes":["Famous-title seeds are tried before the fallback search. Resolve object to visual item to digital item to IIIF access point."]},{"id":"rijksmuseum:200105887","title":"SK-A-3089","artist":"Henriëtte Ronner (mentioned on object)","date":{"display":"ca. 1860 - ca. 1878","yearStart":1860,"yearEnd":1878},"medium":"oil on panel","classification":"Painting","department":"Rijksmuseum","dimensions":{"display":"drager: 32.8 × 45.2 cm","widthCm":45.2,"heightCm":32.8,"depthCm":null},"image":{"url":"https://iiif.micr.io/YAxov/full/max/0/default.jpg","width":3720,"height":2696,"infoUrl":"https://iiif.micr.io/YAxov/info.json","iiifUrl":"https://iiif.micr.io/YAxov"},"source":{"name":"rijksmuseum","id":"200105887","museumUrl":"http://hdl.handle.net/10934/RM0001.COLLECT.5302","metadataUrl":"https://id.rijksmuseum.nl/200105887"},"rights":{"label":"Rijksmuseum Public Domain / CC0","url":"https://data.rijksmuseum.nl/policy/","license":"CC0","licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":true,"hasPhysicalSize":true,"hasPixelSize":true},"print":{"sourcePhysicalPpi":208.8,"maxSizeAt300PpiCm":{"widthCm":31.5,"heightCm":22.8}},"notes":["Famous-title seeds are tried before the fallback search. Resolve object to visual item to digital item to IIIF access point."]},{"id":"rijksmuseum:200105889","title":"Fishing Pinks in Breaking Waves","artist":"Hendrik Willem Mesdag","date":{"display":"ca. 1875 - ca. 1885","yearStart":1875,"yearEnd":1885},"medium":"oil on canvas","classification":"Painting","department":"Rijksmuseum","dimensions":{"display":"drager: 90 × 181 cm","widthCm":181,"heightCm":90,"depthCm":null},"image":{"url":"https://iiif.micr.io/PbGmB/full/max/0/default.jpg","width":6372,"height":3135,"infoUrl":"https://iiif.micr.io/PbGmB/info.json","iiifUrl":"https://iiif.micr.io/PbGmB"},"source":{"name":"rijksmuseum","id":"200105889","museumUrl":"http://hdl.handle.net/10934/RM0001.COLLECT.7915","metadataUrl":"https://id.rijksmuseum.nl/200105889"},"rights":{"label":"Rijksmuseum Public Domain / CC0","url":"https://data.rijksmuseum.nl/policy/","license":"CC0","licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":true,"hasPhysicalSize":true,"hasPixelSize":true},"print":{"sourcePhysicalPpi":88.5,"maxSizeAt300PpiCm":{"widthCm":53.9,"heightCm":26.5}},"notes":["Famous-title seeds are tried before the fallback search. Resolve object to visual item to digital item to IIIF access point."]},{"id":"rijksmuseum:200105901","title":"Portret van een Surinaams meisje","artist":"anoniem","date":{"display":"ca. 1805","yearStart":1805,"yearEnd":1805},"medium":"gilding, vergulding, metal, gilding (material), wood (plant material), ivory, paint (coating)","classification":"Painting","department":"Rijksmuseum","dimensions":{"display":"5.9 × 4.8 cm","widthCm":4.8,"heightCm":5.9,"depthCm":null},"image":{"url":"https://iiif.micr.io/JdGJx/full/max/0/default.jpg","width":2786,"height":3688,"infoUrl":"https://iiif.micr.io/JdGJx/info.json","iiifUrl":"https://iiif.micr.io/JdGJx"},"source":{"name":"rijksmuseum","id":"200105901","museumUrl":"http://hdl.handle.net/10934/RM0001.COLLECT.7893","metadataUrl":"https://id.rijksmuseum.nl/200105901"},"rights":{"label":"Rijksmuseum Public Domain / CC0","url":"https://data.rijksmuseum.nl/policy/","license":"CC0","licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":true,"hasPhysicalSize":true,"hasPixelSize":true},"print":{"sourcePhysicalPpi":1474.3,"maxSizeAt300PpiCm":{"widthCm":23.6,"heightCm":31.2}},"notes":["Famous-title seeds are tried before the fallback search. Resolve object to visual item to digital item to IIIF access point."]},{"id":"rijksmuseum:200105903","title":"Portraits of Surinamese Girls","artist":"anonymous","date":{"display":"c. 1805","yearStart":1805,"yearEnd":1805},"medium":"vergulden, gild, paint (coating), gilding (material), metal, wood (plant material), ivory","classification":"Painting","department":"Rijksmuseum","dimensions":{"display":"6.4 × 5.5 cm","widthCm":5.5,"heightCm":6.4,"depthCm":null},"image":{"url":"https://iiif.micr.io/eUtaz/full/max/0/default.jpg","width":2956,"height":3484,"infoUrl":"https://iiif.micr.io/eUtaz/info.json","iiifUrl":"https://iiif.micr.io/eUtaz"},"source":{"name":"rijksmuseum","id":"200105903","museumUrl":"http://hdl.handle.net/10934/RM0001.COLLECT.7897","metadataUrl":"https://id.rijksmuseum.nl/200105903"},"rights":{"label":"Rijksmuseum Public Domain / CC0","url":"https://data.rijksmuseum.nl/policy/","license":"CC0","licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":true,"hasPhysicalSize":true,"hasPixelSize":true},"print":{"sourcePhysicalPpi":1365.1,"maxSizeAt300PpiCm":{"widthCm":25,"heightCm":29.5}},"notes":["Famous-title seeds are tried before the fallback search. Resolve object to visual item to digital item to IIIF access point."]},{"id":"rijksmuseum:200105905","title":"Portret van een Surinaams meisje","artist":"anonymous","date":{"display":"ca. 1810","yearStart":1810,"yearEnd":1810},"medium":"ivory, pearl, email, hair, gold (metal)","classification":"Painting","department":"Rijksmuseum","dimensions":{"display":"8.9 × 6.2 cm","widthCm":6.2,"heightCm":8.9,"depthCm":null},"image":{"url":"https://iiif.micr.io/WTgck/full/max/0/default.jpg","width":3360,"height":5100,"infoUrl":"https://iiif.micr.io/WTgck/info.json","iiifUrl":"https://iiif.micr.io/WTgck"},"source":{"name":"rijksmuseum","id":"200105905","museumUrl":"http://hdl.handle.net/10934/RM0001.COLLECT.7891","metadataUrl":"https://id.rijksmuseum.nl/200105905"},"rights":{"label":"Rijksmuseum Public Domain / CC0","url":"https://data.rijksmuseum.nl/policy/","license":"CC0","licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":true,"hasPhysicalSize":true,"hasPixelSize":true},"print":{"sourcePhysicalPpi":1376.5,"maxSizeAt300PpiCm":{"widthCm":28.4,"heightCm":43.2}},"notes":["Famous-title seeds are tried before the fallback search. Resolve object to visual item to digital item to IIIF access point."]},{"id":"getty:c88b3df0-de91-4f5b-a9ef-7b2b9a6d8abb","title":"Irises (90.PA.20)","artist":"Vincent van Gogh","date":{"display":"1889","yearStart":1889,"yearEnd":1889},"medium":"Oil on canvas","classification":"Painting","department":"J. Paul Getty Museum","dimensions":{"display":"94.9326898654 × 114.9352298705 × 11.43002286 cm","widthCm":114.9352298705,"heightCm":94.9326898654,"depthCm":11.43002286},"image":{"url":"https://media.getty.edu/iiif/image/8c255d80-7382-46db-9fa8-892c0d37247e/full/max/0/default.jpg","width":9021,"height":7122,"infoUrl":"https://media.getty.edu/iiif/image/8c255d80-7382-46db-9fa8-892c0d37247e/info.json","iiifUrl":"https://media.getty.edu/iiif/image/8c255d80-7382-46db-9fa8-892c0d37247e"},"source":{"name":"getty","id":"c88b3df0-de91-4f5b-a9ef-7b2b9a6d8abb","museumUrl":"https://data.getty.edu/museum/collection/object/c88b3df0-de91-4f5b-a9ef-7b2b9a6d8abb","metadataUrl":"https://data.getty.edu/museum/collection/object/c88b3df0-de91-4f5b-a9ef-7b2b9a6d8abb"},"rights":{"label":"Getty Open Content / CC0","url":"https://www.getty.edu/projects/open-content-program/","license":"CC0","licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":true,"hasPhysicalSize":true,"hasPixelSize":true},"print":{"sourcePhysicalPpi":190.6,"maxSizeAt300PpiCm":{"widthCm":76.4,"heightCm":60.3}},"notes":["Famous-label seeds are tried before the fallback painting SPARQL. Require manifest rights=CC0; not every Getty object/manifest is importable."]},{"id":"getty:4819b122-3644-4bda-9673-f0d101c216b3","title":"Spring (72.PA.3)","artist":"Lawrence Alma-Tadema","date":{"display":"1894","yearStart":1894,"yearEnd":1894},"medium":"Barefoot young women and children adorned with flower crowns and playing musical instruments lead a procession through a city built of marble. Splashes of color, like the scarlet poppies and yellow daffodils, draw the eye across the canvas to explore the vibrant details of an ancient Roman festival, as meticulously reimagined by Dutch artist Lawrence Alma-Tadema. Spectators leaning over from the rooftops cheer and wave, while more reserved figures acknowledge the procession from the royal box under the central arch. The gold standard in front of them, raised on blue poles and decorated with purple garlands, bears a Latin inscription dedicated to Priapus, the god of nature, gardens, and fertility.\n\nIt is unclear exactly which festival Alma-Tadema meant to depict, but the many references from ancient Rome all indicate a springtime celebration of fertility and abundance, perhaps most resembling Floralia, honoring Flora, goddess of flowers. British May Day traditions were also rooted in the Floralia festival and were revived during the 1800s to celebrate spring and nature in the face of rapid industrialization. On May 1, children decked themselves and their village with flowers, danced, and crowned a May Queen. Such celebrations and this painting’s imagery connected contemporary British society to ancient Rome, an empire and aesthetic that the British empire saw as its predecessor and aspired to.\n\nAlma-Tadema was an avid scholar of antiquity and kept an extensive library of photographs of ancient Italian architecture and sculpture. However archaeologically precise his paintings may seem, he took great liberties by fancifully combining motifs and decoration from different time periods and places. For example, the partly covered arch on the left bears the inscription from the Arch of Trajan in Benevento, Italy completed around A.D. 114–118, and directly underneath it, the circular spandrel relief borrows the river god figure from the Arch of Constantine in Rome, completed two hundred years later.","classification":"Painting","department":"J. Paul Getty Museum","dimensions":{"display":"243.8405 × 128.9052578105 × 12.7000254001 cm","widthCm":128.9052578105,"heightCm":243.8405,"depthCm":12.7000254001},"image":{"url":"https://media.getty.edu/iiif/image/27308cef-57fe-40dd-9585-ceeb9801c759/full/max/0/default.jpg","width":4259,"height":9543,"infoUrl":"https://media.getty.edu/iiif/image/27308cef-57fe-40dd-9585-ceeb9801c759/info.json","iiifUrl":"https://media.getty.edu/iiif/image/27308cef-57fe-40dd-9585-ceeb9801c759"},"source":{"name":"getty","id":"4819b122-3644-4bda-9673-f0d101c216b3","museumUrl":"https://data.getty.edu/museum/collection/object/4819b122-3644-4bda-9673-f0d101c216b3","metadataUrl":"https://data.getty.edu/museum/collection/object/4819b122-3644-4bda-9673-f0d101c216b3"},"rights":{"label":"Getty Open Content / CC0","url":"https://www.getty.edu/projects/open-content-program/","license":"CC0","licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":true,"hasPhysicalSize":true,"hasPixelSize":true},"print":{"sourcePhysicalPpi":83.9,"maxSizeAt300PpiCm":{"widthCm":36.1,"heightCm":80.8}},"notes":["Famous-label seeds are tried before the fallback painting SPARQL. Require manifest rights=CC0; not every Getty object/manifest is importable."]},{"id":"getty:c0e83617-05f7-4e05-9d2d-7c235e678622","title":"The Rue Mosnier with Flags (89.PA.71)","artist":"Édouard Manet","date":{"display":"1878","yearStart":1878,"yearEnd":1878},"medium":"Wood, Paul. \"The Avant-Garde and the Paris Commune.\" In <I>The Challenge of the Avant-Garde</I>. Paul Wood, ed. (New Haven and London: Yale University Press, with The Open University, 1999), pp. 112, 127-28, pls. 81, 96.","classification":"Painting","department":"J. Paul Getty Museum","dimensions":{"display":"96.5201930404 × 112.3952247904 × 11.43 cm","widthCm":112.3952247904,"heightCm":96.5201930404,"depthCm":11.43},"image":{"url":"https://media.getty.edu/iiif/image/a0699238-b5fb-49c1-80d3-c66bba7e150d/full/max/0/default.jpg","width":8516,"height":6883,"infoUrl":"https://media.getty.edu/iiif/image/a0699238-b5fb-49c1-80d3-c66bba7e150d/info.json","iiifUrl":"https://media.getty.edu/iiif/image/a0699238-b5fb-49c1-80d3-c66bba7e150d"},"source":{"name":"getty","id":"c0e83617-05f7-4e05-9d2d-7c235e678622","museumUrl":"https://data.getty.edu/museum/collection/object/c0e83617-05f7-4e05-9d2d-7c235e678622","metadataUrl":"https://data.getty.edu/museum/collection/object/c0e83617-05f7-4e05-9d2d-7c235e678622"},"rights":{"label":"Getty Open Content / CC0","url":"https://www.getty.edu/projects/open-content-program/","license":"CC0","licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":true,"hasPhysicalSize":true,"hasPixelSize":true},"print":{"sourcePhysicalPpi":181.1,"maxSizeAt300PpiCm":{"widthCm":72.1,"heightCm":58.3}},"notes":["Famous-label seeds are tried before the fallback painting SPARQL. Require manifest rights=CC0; not every Getty object/manifest is importable."]},{"id":"getty:008a2414-cbba-4455-951d-f8599b9d5ce9","title":"Christ's Entry into Brussels in 1889 (87.PA.96)","artist":"James Ensor","date":{"display":"1888","yearStart":1888,"yearEnd":1888},"medium":"\"Coveted Ensor Canvas Sold in Belgium.\" <i>The Art Digest</i> 24, no. 16 (May 15, 1950), p. 15.","classification":"Painting","department":"J. Paul Getty Museum","dimensions":{"display":"247.3 × 425.3 × 5 cm","widthCm":425.3,"heightCm":247.3,"depthCm":5},"image":{"url":"https://media.getty.edu/iiif/image/dd1d3304-17dc-43f7-85d9-5e4a6286a980/full/max/0/default.jpg","width":25080,"height":14302,"infoUrl":"https://media.getty.edu/iiif/image/dd1d3304-17dc-43f7-85d9-5e4a6286a980/info.json","iiifUrl":"https://media.getty.edu/iiif/image/dd1d3304-17dc-43f7-85d9-5e4a6286a980"},"source":{"name":"getty","id":"008a2414-cbba-4455-951d-f8599b9d5ce9","museumUrl":"https://data.getty.edu/museum/collection/object/008a2414-cbba-4455-951d-f8599b9d5ce9","metadataUrl":"https://data.getty.edu/museum/collection/object/008a2414-cbba-4455-951d-f8599b9d5ce9"},"rights":{"label":"Getty Open Content / CC0","url":"https://www.getty.edu/projects/open-content-program/","license":"CC0","licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":true,"hasPhysicalSize":true,"hasPixelSize":true},"print":{"sourcePhysicalPpi":146.9,"maxSizeAt300PpiCm":{"widthCm":212.3,"heightCm":121.1}},"notes":["Famous-label seeds are tried before the fallback painting SPARQL. Require manifest rights=CC0; not every Getty object/manifest is importable."]},{"id":"getty:01e5106c-a924-4e6e-8c90-6115f4a6a26d","title":"Coast View with the Abduction of Europa (2007.32)","artist":"Claude Lorrain (Claude Gellée)","date":{"display":"about 1645","yearStart":1645,"yearEnd":1645},"medium":"The maiden Europa rests atop a white bull, unaware it is the god Jupiter in disguise. According to the tale in Ovid's  *Metamorphoses*, soon the animal will abduct her across the waves. Until then, she and her attendants festoon the seemingly innocent beast with flowers, while her blue drapery flutters in the breeze. In the upper right corner, a hazy poetic light illuminates her home city of Tyre, further evoking an idyllic antique world.   \n  \n Claude Lorrain is known for painting complicated images that achieve a tranquil balance. This scene appears bucolic, but his composition and details also hint of impending danger. Beyond the field of delicate flowers, for example, a craggy tower looms. The women fail to notice that the bull is poised in anticipation, already straightening one of his legs for flight. Whitecaps gather behind them on the darkening sea, the backdrop to Europa's fate.   \n  \n Even in his day, Claude was known for developing a style called the Ideal Landscape, in which nature on the canvas surpasses the real thing in its beauty, harmony, and refinement. Here he balances formal elements, like the upright trees, ship, and towers, against the open expanse of sea and sky. Offshore, he juxtaposes the huge galleon and all its impeccable detail in the rigging and carved decoration, with Europa still on land. The maritime theme also had a deeper resonance for Claude's contemporaries, as in art criticism, the abduction of Europa was compared to a ship leaving shore.   \n  \n French by birth, and working in Rome, Claude often went into the countryside to do studies of nature. One of his hallmarks is the use of a unifying light, which gives this work a kind of gentle glow. The romance is punctuated by long shadows coming in from the left, distinctive of his favorite afternoon light, which help frame the drama at center stage.","classification":"Painting","department":"J. Paul Getty Museum","dimensions":{"display":"116.5227330455 × 142.8752857506 × 11.43002286 cm","widthCm":142.8752857506,"heightCm":116.5227330455,"depthCm":11.43002286},"image":{"url":"https://media.getty.edu/iiif/image/f9c8a642-dc9c-422a-a18d-e18fcbbc0233/full/max/0/default.jpg","width":11431,"height":8932,"infoUrl":"https://media.getty.edu/iiif/image/f9c8a642-dc9c-422a-a18d-e18fcbbc0233/info.json","iiifUrl":"https://media.getty.edu/iiif/image/f9c8a642-dc9c-422a-a18d-e18fcbbc0233"},"source":{"name":"getty","id":"01e5106c-a924-4e6e-8c90-6115f4a6a26d","museumUrl":"https://data.getty.edu/museum/collection/object/01e5106c-a924-4e6e-8c90-6115f4a6a26d","metadataUrl":"https://data.getty.edu/museum/collection/object/01e5106c-a924-4e6e-8c90-6115f4a6a26d"},"rights":{"label":"Getty Open Content / CC0","url":"https://www.getty.edu/projects/open-content-program/","license":"CC0","licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":true,"hasPhysicalSize":true,"hasPixelSize":true},"print":{"sourcePhysicalPpi":194.7,"maxSizeAt300PpiCm":{"widthCm":96.8,"heightCm":75.6}},"notes":["Famous-label seeds are tried before the fallback painting SPARQL. Require manifest rights=CC0; not every Getty object/manifest is importable."]},{"id":"getty:00c4d446-cfc0-4893-b13d-5de0a8878fdd","title":"The Triumph of Venus (78.PA.2)","artist":"Alessandro Magnasco","date":{"display":"about 1720–1730","yearStart":1720,"yearEnd":1730},"medium":"Oil on canvas","classification":"Painting","department":"J. Paul Getty Museum","dimensions":{"display":"143.5103 × 173.0378 × 6.985 cm","widthCm":173.0378,"heightCm":143.5103,"depthCm":6.985},"image":{"url":"https://media.getty.edu/iiif/image/0caada9a-6e68-40d4-a352-82806dc0f2d5/full/max/0/default.jpg","width":11987,"height":9473,"infoUrl":"https://media.getty.edu/iiif/image/0caada9a-6e68-40d4-a352-82806dc0f2d5/info.json","iiifUrl":"https://media.getty.edu/iiif/image/0caada9a-6e68-40d4-a352-82806dc0f2d5"},"source":{"name":"getty","id":"00c4d446-cfc0-4893-b13d-5de0a8878fdd","museumUrl":"https://data.getty.edu/museum/collection/object/00c4d446-cfc0-4893-b13d-5de0a8878fdd","metadataUrl":"https://data.getty.edu/museum/collection/object/00c4d446-cfc0-4893-b13d-5de0a8878fdd"},"rights":{"label":"Getty Open Content / CC0","url":"https://www.getty.edu/projects/open-content-program/","license":"CC0","licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":true,"hasPhysicalSize":true,"hasPixelSize":true},"print":{"sourcePhysicalPpi":167.7,"maxSizeAt300PpiCm":{"widthCm":101.5,"heightCm":80.2}},"notes":["Famous-label seeds are tried before the fallback painting SPARQL. Require manifest rights=CC0; not every Getty object/manifest is importable."]},{"id":"getty:01b77281-7cee-4dfe-97a2-6c7c275f63db","title":"Saint John the Baptist (73.PB.70)","artist":"Agnolo Bronzino","date":{"display":"about 1542–1545","yearStart":1542,"yearEnd":1545},"medium":"Bronzino depicts Saint John the Baptist's muscular figure in a restricted space, his torso twisted to accommodate the panel’s vertical format which creates a series of strong diagonal accents, zigzagging the length of the painting. This artificial, serpentine pose marks Bronzino’s move away from naturalism toward a more abstract elongation of forms and more stylized figures, a shift which occurred in the 1540s.\n\nThe long, vertical format of this work corresponds to its original function as part of a triptych altarpiece in the private chapel of Eleonora di Toledo in the Palazzo Vecchio, Florence. Bronzino decorated the chapel between 1540 and 1565, as a celebration of the Medici dynasty. The larger, central panel of the original altarpiece (now in the Musée des Beaux-Arts et d’Archéologie, Besançon, France) depicted the *Lamentation*, which was flanked by the present painting on the left, and *Saint Cosmas* on the right (a fragment of which is today in a private collection). The saints were chosen by Bronzino for their relevance to the Medici—Saint John was the patron saint of Florence, while Saint Cosmas was the name saint of Eleonora's husband, Cosimo de' Medici.","classification":"Painting","department":"J. Paul Getty Museum","dimensions":{"display":"163.8303276607 × 66.0401 × 5.08001016 cm","widthCm":66.0401,"heightCm":163.8303276607,"depthCm":5.08001016},"image":{"url":"https://media.getty.edu/iiif/image/5da016ea-ba76-46f1-83c1-b65aa88d7592/full/max/0/default.jpg","width":3293,"height":9347,"infoUrl":"https://media.getty.edu/iiif/image/5da016ea-ba76-46f1-83c1-b65aa88d7592/info.json","iiifUrl":"https://media.getty.edu/iiif/image/5da016ea-ba76-46f1-83c1-b65aa88d7592"},"source":{"name":"getty","id":"01b77281-7cee-4dfe-97a2-6c7c275f63db","museumUrl":"https://data.getty.edu/museum/collection/object/01b77281-7cee-4dfe-97a2-6c7c275f63db","metadataUrl":"https://data.getty.edu/museum/collection/object/01b77281-7cee-4dfe-97a2-6c7c275f63db"},"rights":{"label":"Getty Open Content / CC0","url":"https://www.getty.edu/projects/open-content-program/","license":"CC0","licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":true,"hasPhysicalSize":true,"hasPixelSize":true},"print":{"sourcePhysicalPpi":126.7,"maxSizeAt300PpiCm":{"widthCm":27.9,"heightCm":79.1}},"notes":["Famous-label seeds are tried before the fallback painting SPARQL. Require manifest rights=CC0; not every Getty object/manifest is importable."]},{"id":"getty:9a9cebf1-6d57-4153-aeac-3d5aa0ad9b2c","title":"Wheatstacks, Snow Effect, Morning (Meules, Effet de Neige, Le Matin) (95.PA.63)","artist":"Claude Monet","date":{"display":"1891","yearStart":1891,"yearEnd":1891},"medium":"In the fall of 1890, Impressionist Claude Monet arranged to have the wheatstacks near his home left out over the winter. By the following summer he had painted them at least thirty times, at different times throughout the seasons.  *Wheatstacks*  was Monet's first series and the first in which he concentrated on a single subject, differentiating pictures only by color, touch, composition, and lighting and weather conditions. He said, \"For me a landscape hardly exists at all as a landscape, because its appearance is constantly changing; but it lives by virtue of its surroundings, the air and the light which vary continually.\"   \n  \n After beginning outdoors, Monet reworked each painting in his studio to create the color harmonies that unify each canvas. The pinks in the sky echo the snow's reflections, and the blues of the wheatstacks' shadows are found in the wintry light shining on the stacks, in the houses' roofs, and in the snowy earth. With raised, broken brushstrokes, Monet captured nuances of light and created a solid, geometric structure that prevents the surface from simply melting into blobs. The wheatstacks are solid forms, and, while the outlying houses are indecipherable close-up, they are clear from a distance.","classification":"Painting","department":"J. Paul Getty Museum","dimensions":{"display":"88.5827 × 123.1902 × 7.9375 cm","widthCm":123.1902,"heightCm":88.5827,"depthCm":7.9375},"image":{"url":"https://media.getty.edu/iiif/image/c7a070ce-bae3-4424-8ad3-55e3dea5e1ff/full/max/0/default.jpg","width":10877,"height":6994,"infoUrl":"https://media.getty.edu/iiif/image/c7a070ce-bae3-4424-8ad3-55e3dea5e1ff/info.json","iiifUrl":"https://media.getty.edu/iiif/image/c7a070ce-bae3-4424-8ad3-55e3dea5e1ff"},"source":{"name":"getty","id":"9a9cebf1-6d57-4153-aeac-3d5aa0ad9b2c","museumUrl":"https://data.getty.edu/museum/collection/object/9a9cebf1-6d57-4153-aeac-3d5aa0ad9b2c","metadataUrl":"https://data.getty.edu/museum/collection/object/9a9cebf1-6d57-4153-aeac-3d5aa0ad9b2c"},"rights":{"label":"Getty Open Content / CC0","url":"https://www.getty.edu/projects/open-content-program/","license":"CC0","licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":true,"hasPhysicalSize":true,"hasPixelSize":true},"print":{"sourcePhysicalPpi":200.5,"maxSizeAt300PpiCm":{"widthCm":92.1,"heightCm":59.2}},"notes":["Famous-label seeds are tried before the fallback painting SPARQL. Require manifest rights=CC0; not every Getty object/manifest is importable."]},{"id":"getty:182385f7-61c4-4e2b-a815-db26722409f9","title":"The Portal of Rouen Cathedral in Morning Light (2001.33)","artist":"Claude Monet","date":{"display":"1894","yearStart":1894,"yearEnd":1894},"medium":"\"Everything changes, even stone.\" Claude Monet wrote these words in a letter and vividly demonstrated them in paint, conveying a wondrous combination of permanence and mutability as the sun daily transformed the facade of Rouen Cathedral. Extending the building's encrusted stone surface to the richly varied impasto surface of his painting, he portrayed the cathedral perpetually re-emerging in the suffused light of early morning.   \n  \n Monet created several groups of paintings exploring the color, light, and form of a single subject at various times of day, but his Rouen Cathedral series was his most intense effort on a single site. He painted there in late winter in both 1892 and 1893, then reworked his thirty canvases from memory in the studio through 1894. He began this example in 1893, working in an improvised studio in the front room of a dressmaker's shop across from the cathedral.   \n  \n After creating a coherent ensemble, Monet selected twenty paintings that he considered \"complete\" and \"perfect,\" including this one, for an exhibition at his Paris dealer's gallery in May 1895. Pissarro and Cézanne visited and praised the series, and patrons quickly purchased eight paintings from the group.","classification":"Painting","department":"J. Paul Getty Museum","dimensions":{"display":"113.3477266955 × 77.4702 × 5.71501143 cm","widthCm":77.4702,"heightCm":113.3477266955,"depthCm":5.71501143},"image":{"url":"https://media.getty.edu/iiif/image/6d1d6b93-71bb-41f1-9ffd-48e49f3adbe8/full/max/0/default.jpg","width":6159,"height":9521,"infoUrl":"https://media.getty.edu/iiif/image/6d1d6b93-71bb-41f1-9ffd-48e49f3adbe8/info.json","iiifUrl":"https://media.getty.edu/iiif/image/6d1d6b93-71bb-41f1-9ffd-48e49f3adbe8"},"source":{"name":"getty","id":"182385f7-61c4-4e2b-a815-db26722409f9","museumUrl":"https://data.getty.edu/museum/collection/object/182385f7-61c4-4e2b-a815-db26722409f9","metadataUrl":"https://data.getty.edu/museum/collection/object/182385f7-61c4-4e2b-a815-db26722409f9"},"rights":{"label":"Getty Open Content / CC0","url":"https://www.getty.edu/projects/open-content-program/","license":"CC0","licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":true,"hasPhysicalSize":true,"hasPixelSize":true},"print":{"sourcePhysicalPpi":201.9,"maxSizeAt300PpiCm":{"widthCm":52.1,"heightCm":80.6}},"notes":["Famous-label seeds are tried before the fallback painting SPARQL. Require manifest rights=CC0; not every Getty object/manifest is importable."]},{"id":"getty:e5e3d8a2-48bc-4df4-a6e9-75857f155d95","title":"Arii Matamoe (The Royal End) (2008.5)","artist":"Paul Gauguin","date":{"display":"1892","yearStart":1892,"yearEnd":1892},"medium":">I have just finished a severed kanak [Pacific Islander] head, nicely arranged on a white cushion, in a palace of my invention and guarded by women also of my invention. \n>\n>--Paul Gauguin  \n\n  \nWriting to his friend Daniel de Monfreid, Paul Gauguin referenced in an almost offhand way this startling painting of a decapitated human head, which he made during his first stay in Polynesia in the early 1890s. Real events, from Tahitian King Pomare V's death soon after Gauguin's arrival, to the artist having witnessed a public execution by guillotine several years earlier, likely influenced its dark subject matter. Gauguin added the Tahitian words \"Arii\" and \"Matamoe\" in the canvas' upper left. The first means \"noble;\" the second, \"sleeping eyes,\" a phrase that implies \"death.\"   \n  \n The notion of a human head ritually displayed in an ornate interior suggests the formality of a ruler lying in state, supported by the presence of sorrowful figures in the background. However, this scene doesn't correspond to actual accounts of Pomare V's funeral because the body wasn't decapitated. Gauguin was just as apt to fantasize about life in Polynesia as he was to document it. Bright reds, yellows, and pinks are juxtaposed with muted browns and purples to evoke a tropical sensibility. The rough, burlap-like canvas also hints at an exotic \"primitivism.\" In his collage-illustrated book *Noa Noa*--which he began after his first trip to Tahiti--he included a copy of this painting and a comment that he thought of Pomare's death as a metaphor for the loss of native culture due to European colonization.   \n  \nSymbolist artists, including Gauguin, had a predilection for images of decapitated heads and any associated figures, such as Orpheus and John the Baptist. But in a more general sense, Gauguin also freely mixed Eastern and Western imagery. His obsession with the theme of death, which appears throughout his Tahitian paintings, is less a reference to spiritual beliefs or to what he saw around him than perhaps more significantly, how he viewed himself. Gauguin thought of himself as a martyr victimized by modern society, which compelled him to escape to a \"primitive\" culture.","classification":"Painting","department":"J. Paul Getty Museum","dimensions":{"display":"66.6751333503 × 95.5676911354 × 5.397510795 cm","widthCm":95.5676911354,"heightCm":66.6751333503,"depthCm":5.397510795},"image":{"url":"https://media.getty.edu/iiif/image/ff007f54-8c8d-407d-a5b2-124643f4cc13/full/max/0/default.jpg","width":9354,"height":5707,"infoUrl":"https://media.getty.edu/iiif/image/ff007f54-8c8d-407d-a5b2-124643f4cc13/info.json","iiifUrl":"https://media.getty.edu/iiif/image/ff007f54-8c8d-407d-a5b2-124643f4cc13"},"source":{"name":"getty","id":"e5e3d8a2-48bc-4df4-a6e9-75857f155d95","museumUrl":"https://data.getty.edu/museum/collection/object/e5e3d8a2-48bc-4df4-a6e9-75857f155d95","metadataUrl":"https://data.getty.edu/museum/collection/object/e5e3d8a2-48bc-4df4-a6e9-75857f155d95"},"rights":{"label":"Getty Open Content / CC0","url":"https://www.getty.edu/projects/open-content-program/","license":"CC0","licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":true,"hasPhysicalSize":true,"hasPixelSize":true},"print":{"sourcePhysicalPpi":217.4,"maxSizeAt300PpiCm":{"widthCm":79.2,"heightCm":48.3}},"notes":["Famous-label seeds are tried before the fallback painting SPARQL. Require manifest rights=CC0; not every Getty object/manifest is importable."]},{"id":"nga:50724","title":"Ginevra de' Benci [obverse]","artist":"Leonardo da Vinci","date":{"display":"c. 1474/1478","yearStart":1474,"yearEnd":1478},"medium":"oil on panel","classification":"Painting","department":"CIS-R","dimensions":{"display":"overall (original panel only): 38.1 x 37 cm (15 x 14 9/16 in.)\r\noverall (thickness of original panel): 1.1 cm (7/16 in.)\r\noverall (with addition at bottom edge): 42.7 x 37 cm (16 13/16 x 14 9/16 in.)\r\noverall (thickness of addition at bottom edge): 1.9 cm (3/4 in.)\r\nframed: 59.7 x 57.8 x 3.8 cm (23 1/2 x 22 3/4 x 1 1/2 in.)","widthCm":37,"heightCm":38.1,"depthCm":null},"image":{"url":"https://api.nga.gov/iiif/8f29e3c9-a289-4d53-abf0-31a66e9e98fa/full/full/0/default.jpg","width":23235,"height":23968,"infoUrl":"https://api.nga.gov/iiif/8f29e3c9-a289-4d53-abf0-31a66e9e98fa/info.json","iiifUrl":"https://api.nga.gov/iiif/8f29e3c9-a289-4d53-abf0-31a66e9e98fa"},"source":{"name":"nga","id":"50724","museumUrl":"https://www.nga.gov/collection/art-object-page.50724.html","metadataUrl":"https://github.com/NationalGalleryOfArt/opendata"},"rights":{"label":"NGA Open Access / CC0","url":"https://www.nga.gov/artworks/free-images-and-open-access","license":"CC0","licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":true,"hasPhysicalSize":true,"hasPixelSize":true},"print":{"sourcePhysicalPpi":1595.1,"maxSizeAt300PpiCm":{"widthCm":196.7,"heightCm":202.9}},"notes":["Famous object IDs are tried before fallback. NGA cold runs download the full Open Data CSVs so famous works deeper in the file can be resolved."]},{"id":"nga:46471","title":"Watson and the Shark","artist":"John Singleton Copley","date":{"display":"1778","yearStart":1778,"yearEnd":1778},"medium":"oil on canvas","classification":"Painting","department":"CAB","dimensions":{"display":"overall: 182.1 x 229.7 cm (71 11/16 x 90 7/16 in.)\r\nframed: 241.3 x 264.2 x 10.1 cm (95 x 104 x 4 in.)","widthCm":229.7,"heightCm":182.1,"depthCm":null},"image":{"url":"https://api.nga.gov/iiif/b38ce693-ba56-4953-9c2c-d8139fe4b059/full/full/0/default.jpg","width":32121,"height":25469,"infoUrl":"https://api.nga.gov/iiif/b38ce693-ba56-4953-9c2c-d8139fe4b059/info.json","iiifUrl":"https://api.nga.gov/iiif/b38ce693-ba56-4953-9c2c-d8139fe4b059"},"source":{"name":"nga","id":"46471","museumUrl":"https://www.nga.gov/collection/art-object-page.46471.html","metadataUrl":"https://github.com/NationalGalleryOfArt/opendata"},"rights":{"label":"NGA Open Access / CC0","url":"https://www.nga.gov/artworks/free-images-and-open-access","license":"CC0","licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":true,"hasPhysicalSize":true,"hasPixelSize":true},"print":{"sourcePhysicalPpi":355.2,"maxSizeAt300PpiCm":{"widthCm":272,"heightCm":215.6}},"notes":["Famous object IDs are tried before fallback. NGA cold runs download the full Open Data CSVs so famous works deeper in the file can be resolved."]},{"id":"nga:74796","title":"The Japanese Footbridge","artist":"Claude Monet","date":{"display":"1899","yearStart":1899,"yearEnd":1899},"medium":"oil on canvas","classification":"Painting","department":"CF","dimensions":{"display":"overall: 81.3 x 101.6 cm (32 x 40 in.)\r\nframed: 101 x 120.7 x 7.6 cm (39 3/4 x 47 1/2 x 3 in.)","widthCm":101.6,"heightCm":81.3,"depthCm":null},"image":{"url":"https://api.nga.gov/iiif/0b9cefb5-1ee4-401a-8154-8d4039191a28/full/full/0/default.jpg","width":29700,"height":23942,"infoUrl":"https://api.nga.gov/iiif/0b9cefb5-1ee4-401a-8154-8d4039191a28/info.json","iiifUrl":"https://api.nga.gov/iiif/0b9cefb5-1ee4-401a-8154-8d4039191a28"},"source":{"name":"nga","id":"74796","museumUrl":"https://www.nga.gov/collection/art-object-page.74796.html","metadataUrl":"https://github.com/NationalGalleryOfArt/opendata"},"rights":{"label":"NGA Open Access / CC0","url":"https://www.nga.gov/artworks/free-images-and-open-access","license":"CC0","licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":true,"hasPhysicalSize":true,"hasPixelSize":true},"print":{"sourcePhysicalPpi":742.5,"maxSizeAt300PpiCm":{"widthCm":251.5,"heightCm":202.7}},"notes":["Famous object IDs are tried before fallback. NGA cold runs download the full Open Data CSVs so famous works deeper in the file can be resolved."]},{"id":"nga:26","title":"The Alba Madonna","artist":"Raphael","date":{"display":"c. 1510","yearStart":1510,"yearEnd":1510},"medium":"oil on panel transferred to canvas","classification":"Painting","department":"CIS-R","dimensions":{"display":"overall (diameter): 94.5 cm (37 3/16 in.)\r\nframed (diameter x depth): 140.34 × 15.88 cm (55 1/4 × 6 1/4 in.)","widthCm":15.88,"heightCm":140.34,"depthCm":null},"image":{"url":"https://api.nga.gov/iiif/f033a552-2901-4c21-95ed-93d13e598632/full/full/0/default.jpg","width":24180,"height":24180,"infoUrl":"https://api.nga.gov/iiif/f033a552-2901-4c21-95ed-93d13e598632/info.json","iiifUrl":"https://api.nga.gov/iiif/f033a552-2901-4c21-95ed-93d13e598632"},"source":{"name":"nga","id":"26","museumUrl":"https://www.nga.gov/collection/art-object-page.26.html","metadataUrl":"https://github.com/NationalGalleryOfArt/opendata"},"rights":{"label":"NGA Open Access / CC0","url":"https://www.nga.gov/artworks/free-images-and-open-access","license":"CC0","licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":true,"hasPhysicalSize":true,"hasPixelSize":true},"print":{"sourcePhysicalPpi":437.6,"maxSizeAt300PpiCm":{"widthCm":204.7,"heightCm":204.7}},"notes":["Famous object IDs are tried before fallback. NGA cold runs download the full Open Data CSVs so famous works deeper in the file can be resolved."]},{"id":"nga:46681","title":"A Girl with a Watering Can","artist":"Auguste Renoir","date":{"display":"1876","yearStart":1876,"yearEnd":1876},"medium":"oil on canvas","classification":"Painting","department":"CF","dimensions":{"display":"overall: 100 x 73 cm (39 3/8 x 28 3/4 in.)\r\nframed: 125.7 x 97.5 x 6.9 cm (49 1/2 x 38 3/8 x 2 11/16 in.)","widthCm":73,"heightCm":100,"depthCm":null},"image":{"url":"https://api.nga.gov/iiif/bcc517e0-84c3-4e21-8c08-c9a0181ced29/full/full/0/default.jpg","width":15915,"height":22072,"infoUrl":"https://api.nga.gov/iiif/bcc517e0-84c3-4e21-8c08-c9a0181ced29/info.json","iiifUrl":"https://api.nga.gov/iiif/bcc517e0-84c3-4e21-8c08-c9a0181ced29"},"source":{"name":"nga","id":"46681","museumUrl":"https://www.nga.gov/collection/art-object-page.46681.html","metadataUrl":"https://github.com/NationalGalleryOfArt/opendata"},"rights":{"label":"NGA Open Access / CC0","url":"https://www.nga.gov/artworks/free-images-and-open-access","license":"CC0","licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":true,"hasPhysicalSize":true,"hasPixelSize":true},"print":{"sourcePhysicalPpi":553.8,"maxSizeAt300PpiCm":{"widthCm":134.7,"heightCm":186.9}},"notes":["Famous object IDs are tried before fallback. NGA cold runs download the full Open Data CSVs so famous works deeper in the file can be resolved."]},{"id":"nga:79","title":"Self-Portrait","artist":"Rembrandt van Rijn","date":{"display":"1659","yearStart":1659,"yearEnd":1659},"medium":"oil on canvas","classification":"Painting","department":"CNE-B","dimensions":{"display":"overall: 84.5 x 66 cm (33 1/4 x 26 in.)\r\nframed: 122.9 x 104.1 x 8.9 cm (48 3/8 x 41 x 3 1/2 in.)","widthCm":66,"heightCm":84.5,"depthCm":null},"image":{"url":"https://api.nga.gov/iiif/5dc133fb-5304-4ccb-b715-9361f638f281/full/full/0/default.jpg","width":25143,"height":32158,"infoUrl":"https://api.nga.gov/iiif/5dc133fb-5304-4ccb-b715-9361f638f281/info.json","iiifUrl":"https://api.nga.gov/iiif/5dc133fb-5304-4ccb-b715-9361f638f281"},"source":{"name":"nga","id":"79","museumUrl":"https://www.nga.gov/collection/art-object-page.79.html","metadataUrl":"https://github.com/NationalGalleryOfArt/opendata"},"rights":{"label":"NGA Open Access / CC0","url":"https://www.nga.gov/artworks/free-images-and-open-access","license":"CC0","licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":true,"hasPhysicalSize":true,"hasPixelSize":true},"print":{"sourcePhysicalPpi":966.6,"maxSizeAt300PpiCm":{"widthCm":212.9,"heightCm":272.3}},"notes":["Famous object IDs are tried before fallback. NGA cold runs download the full Open Data CSVs so famous works deeper in the file can be resolved."]},{"id":"nga:52450","title":"The Voyage of Life: Childhood","artist":"Thomas Cole","date":{"display":"1842","yearStart":1842,"yearEnd":1842},"medium":"oil on canvas","classification":"Painting","department":"CAB","dimensions":{"display":"overall: 134.3 x 195.3 cm (52 7/8 x 76 7/8 in.)\r\nframed: 162.9 x 224.8 x 17.8 cm (64 1/8 x 88 1/2 x 7 in.)","widthCm":195.3,"heightCm":134.3,"depthCm":null},"image":{"url":"https://api.nga.gov/iiif/5b94c264-aaea-4f4b-bbdc-5c04bfd353b4/full/full/0/default.jpg","width":5121,"height":3459,"infoUrl":"https://api.nga.gov/iiif/5b94c264-aaea-4f4b-bbdc-5c04bfd353b4/info.json","iiifUrl":"https://api.nga.gov/iiif/5b94c264-aaea-4f4b-bbdc-5c04bfd353b4"},"source":{"name":"nga","id":"52450","museumUrl":"https://www.nga.gov/collection/art-object-page.52450.html","metadataUrl":"https://github.com/NationalGalleryOfArt/opendata"},"rights":{"label":"NGA Open Access / CC0","url":"https://www.nga.gov/artworks/free-images-and-open-access","license":"CC0","licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":true,"hasPhysicalSize":true,"hasPixelSize":true},"print":{"sourcePhysicalPpi":65.4,"maxSizeAt300PpiCm":{"widthCm":43.4,"heightCm":29.3}},"notes":["Famous object IDs are tried before fallback. NGA cold runs download the full Open Data CSVs so famous works deeper in the file can be resolved."]},{"id":"nga:52451","title":"The Voyage of Life: Youth","artist":"Thomas Cole","date":{"display":"1842","yearStart":1842,"yearEnd":1842},"medium":"oil on canvas","classification":"Painting","department":"CAB","dimensions":{"display":"overall: 134.3 x 194.9 cm (52 7/8 x 76 3/4 in.)\r\nframed: 162.6 x 224.5 x 17.7 cm (64 x 88 3/8 x 6 15/16 in.)","widthCm":194.9,"heightCm":134.3,"depthCm":null},"image":{"url":"https://api.nga.gov/iiif/1c3a0c23-3926-4475-b9b8-59cb1d72b410/full/full/0/default.jpg","width":5117,"height":3501,"infoUrl":"https://api.nga.gov/iiif/1c3a0c23-3926-4475-b9b8-59cb1d72b410/info.json","iiifUrl":"https://api.nga.gov/iiif/1c3a0c23-3926-4475-b9b8-59cb1d72b410"},"source":{"name":"nga","id":"52451","museumUrl":"https://www.nga.gov/collection/art-object-page.52451.html","metadataUrl":"https://github.com/NationalGalleryOfArt/opendata"},"rights":{"label":"NGA Open Access / CC0","url":"https://www.nga.gov/artworks/free-images-and-open-access","license":"CC0","licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":true,"hasPhysicalSize":true,"hasPixelSize":true},"print":{"sourcePhysicalPpi":66.2,"maxSizeAt300PpiCm":{"widthCm":43.3,"heightCm":29.6}},"notes":["Famous object IDs are tried before fallback. NGA cold runs download the full Open Data CSVs so famous works deeper in the file can be resolved."]},{"id":"nga:30776","title":"The Lackawanna Valley","artist":"George Inness","date":{"display":"c. 1856","yearStart":1856,"yearEnd":1856},"medium":"oil on canvas","classification":"Painting","department":"CAB","dimensions":{"display":"overall: 86 x 127.5 cm (33 7/8 x 50 3/16 in.)\r\nframed: 120.3 x 161.6 x 15.2 cm (47 3/8 x 63 5/8 x 6 in.)","widthCm":127.5,"heightCm":86,"depthCm":null},"image":{"url":"https://api.nga.gov/iiif/41934d82-bfb0-447b-b36e-d06dca991243/full/full/0/default.jpg","width":5132,"height":3443,"infoUrl":"https://api.nga.gov/iiif/41934d82-bfb0-447b-b36e-d06dca991243/info.json","iiifUrl":"https://api.nga.gov/iiif/41934d82-bfb0-447b-b36e-d06dca991243"},"source":{"name":"nga","id":"30776","museumUrl":"https://www.nga.gov/collection/art-object-page.30776.html","metadataUrl":"https://github.com/NationalGalleryOfArt/opendata"},"rights":{"label":"NGA Open Access / CC0","url":"https://www.nga.gov/artworks/free-images-and-open-access","license":"CC0","licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":true,"hasPhysicalSize":true,"hasPixelSize":true},"print":{"sourcePhysicalPpi":101.7,"maxSizeAt300PpiCm":{"widthCm":43.5,"heightCm":29.2}},"notes":["Famous object IDs are tried before fallback. NGA cold runs download the full Open Data CSVs so famous works deeper in the file can be resolved."]},{"id":"nga:54191","title":"The Old Violin","artist":"John Frederick Peto","date":{"display":"c. 1890","yearStart":1890,"yearEnd":1890},"medium":"oil on canvas","classification":"Painting","department":"CAB","dimensions":{"display":"overall: 77.2 × 58.1 cm (30 3/8 × 22 7/8 in.)\r\nframed: 97.47 × 78.11 × 5.72 cm (38 3/8 × 30 3/4 × 2 1/4 in.)","widthCm":58.1,"heightCm":77.2,"depthCm":null},"image":{"url":"https://api.nga.gov/iiif/1312dab4-b852-44f8-92f6-472151626200/full/full/0/default.jpg","width":3720,"height":4951,"infoUrl":"https://api.nga.gov/iiif/1312dab4-b852-44f8-92f6-472151626200/info.json","iiifUrl":"https://api.nga.gov/iiif/1312dab4-b852-44f8-92f6-472151626200"},"source":{"name":"nga","id":"54191","museumUrl":"https://www.nga.gov/collection/art-object-page.54191.html","metadataUrl":"https://github.com/NationalGalleryOfArt/opendata"},"rights":{"label":"NGA Open Access / CC0","url":"https://www.nga.gov/artworks/free-images-and-open-access","license":"CC0","licenseUrl":"https://creativecommons.org/publicdomain/zero/1.0/","commercialUseAllowed":true},"quality":{"paintingOk":true,"imageOk":true,"dimensionsOk":true,"hasPhysicalSize":true,"hasPixelSize":true},"print":{"sourcePhysicalPpi":162.6,"maxSizeAt300PpiCm":{"widthCm":31.5,"heightCm":41.9}},"notes":["Famous object IDs are tried before fallback. NGA cold runs download the full Open Data CSVs so famous works deeper in the file can be resolved."]}]}